Hosted by Elise Moore and Dave · 🇺🇸 US · EN · 405 episodes
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Join Dave and Elise every week for a buggy-ride of cinematic exploration. A bilingual Montreal native and a Prairies hayseed gravitate to Toronto for the film culture, meet on OK Cupid, and spur on each other's movie-love, culminating in this podcast. Expect in-depth discussion of their old favourites (mostly studio-era Hollywood) and their latest frontiers (courtesy of the TIFF Cinematheque and various Toronto rep houses and festivals).The podcast will be comprised of several potentially never-ending series:- Fear & Moviegoing in Toronto: Our Perspectives on Choice Local Retrospectives- Hollywood Studios – Year by Year: Deep-cut dishing on Paramount, MGM, Warner Brothers, RKO, Fox, and Universal items from 1930 to 1948.- Acteurist oeuvre-views of worthy on-camera creatives, beginning with Jennifer Jones and Setsuko Hara.- And a big parade of special subjects hand-chosen by whichever of your hosts happens to have a handle on this buggy that week
Elise Moore and Dave hosts There's Sometimes a Buggy, a tv show with 405 episodes published.
For the first episode of our Acteurist Spotlight on Jennifer Jason Leigh, we watched Amy Heckerling's Fast Times at Ridgemont High (1982) and Paul Verhoeven's Flesh + Blood (1985). We explore the possibility of Heckerlin
For the first episode of our Acteurist Spotlight on Jennifer Jason Leigh, we watched Amy Heckerling's Fast Times at Ridgemont High (1982) and Paul Verhoeven's Flesh + Blood (1985). We explore the possibility of Heckerlin
Our Special Subject for June is Wong Kar-wai's so-called "Love Trilogy": Days of Being Wild (1990), In the Mood for Love (2000), and 2046 (2004). Our discussion walks a tightrope of abstraction as we consider the philoso
In this Universal 1934 Studios Year by Year episode, we discuss the original There's Always Tomorrow , starring Frank Morgan and Binnie Barnes (remade by Douglas Sirk in the 50s with Fred MacMurray and Barbara Stanwyck)
For the final episode of our Isabelle Huppert Spotlight, we watched two movies with a colonial setting: Rithy Panh's The Sea Wall (2008), based on the novel by Marguerite Duras, and Claire Denis' White Material (2009). D
Our text for this 1934 RKO Studios Year by Year episode is a William A. Seiter double feature distinguished by ultra-manipulative heroines and a simultaneous fascination with and unsubtle criticism of the rich: the comed
Our Family Freak-Outs series continues to go from strength to strength as we examine Douglas Sirk's Written on the Wind (1956) and Kenneth Lonergan's Manchester by the Sea (2016), a couple of masterpieces of American cin
For our second Isabelle Huppert Acteurist Spotlight we have another first encounter with an auteur, Claude Chabrol, with the unfortunately translated Story of Women (1988), and take on Huppert's iconic performance in the
For this round of Fox Studios 1934 we watched Change of Heart (directed by John G. Blystone), Janet Gaynor and Charles Farrell's final pairing, co-starring with James Dunn and a brink-of-stardom Ginger Rogers as college
For our first Isabelle Huppert Acteurist Spotlight episode, we watched Maurice Pialat's Loulou (1980), in which Huppert stars with Gérard Depardieu, and Bertrand Tervanier's Coup de Torchon (1981), in which she supports
On this week's Warner Bros. 1934 Studios Year by Year episode, we look at some of the studio's mid-30s B-output: the jazzy, Modernist, montage-ist, telephonic I've Got Your Number , starring Pat O'Brien as an insouciant
Our Special Subject for this month is The Archers in Black and White: A Canterbury Tale (1944), I Know Where I'm Going! (1945), and The Small Back Room (1949). We discuss Powell and Pressburger's interest in the claims a
We conclude our Deborah Kerr Acteurist Spotlight with a couple of her big Hollywood movies after the turning point of From Here to Eternity : Vincente Minnelli's Tea and Sympathy (1956), in which she appears as Laura Rey
Our MGM 1934 episode this week is a Jean Parker (Beth in RKO's 1933 Little Women ) double feature. She plays the rebellious daughter in the family melodrama Wicked Woman , which features a fine central performance by not
For the 2nd part of our Deborah Kerr Acteurist Spotlight we check in on Kerr's "lost years" at MGM to see what Hollywood was finding for her to do before her breakthrough performance in From Here to Eternity . In Norman
With this episode we launch the first of Elise's three-part Special Subject, Family Freak-Outs . We start with some musings about how to define this micro-genre, what makes it different from a standard family melodrama a
For this Paramount 1934 episode we watched Search for Beauty , which pits beauty-as-health (a wasted and almost unrecognizable Ida Lupino and frequently topless, sometimes bottomless, and always witless Olympic swimmer B
Our Deborah Kerr Acteurist Spotlight starts strong with two entertaining progressive WWII-era British films, John Baxter's Love on the Dole (1941), a socialist portrayal of working-class life in Manchester during the Gre
For this Universal 1933 Studios Year by Year episode we commit the sacrilege of trashing a James Whale movie, The Invisible Man , which is also Claude Rains' first major screen role, albeit mainly as a voice. A ranting,
We bid a fond farewell to our Acteurist Spotlight on Delphine Seyrig with the greatest movie of all-time (as of the most recent BFI critics' poll), Chantal Akerman's Jeanne Dielman, 23, quai de Commerce 1080 Bruxelles (1
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There's Sometimes a Buggy is hosted by Elise Moore and Dave. The show is categorised under tv (film) and has published 405 episodes.
There's Sometimes a Buggy has published 405 episodes.
There's Sometimes a Buggy regularly covers tv, film, society. It sits in the tv category, with a film focus.
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