Loading…
The Working Class Library is The Bee’s podcast. Each month Richard Benson, editor of The Bee, and Claire Malcolm, CEO of New Writing North, invite a writer to discuss a book and decide whether it deserves a place on the shelves of the Working Class Library – our imaginary library of great books by and about ordinary people.
Required Pod Score for this show. PitchCentric checks your profile against host openness, topical fit, and audience signals before you generate a pitch.
Contact path
Verified email
Booking probability
27%
Guest openness
Selective
Sign up to generate a grounded pitch for The Working Class Library.
Signup to Generate a PitchThe Working Class Library is a arts podcast hosted by Unknown Host, with 0 episodes on record and a Required Pod Score of 80.
Unknown Host hosts The Working Class Library, a arts show with 0 episodes published.
Our AI reads these to draft pitches. Use them as grounding for a pitch that cites a real guest and a specific topic.
Episode #9
For the ninth episode of the Working Class Library, the writer and campaigner Terri White joins Richard Benson and Claire Malcolm to talk about the legendary Catherine Cookson. We focus on Cookson’s 1968 novel about a mixed-ethnicity marriage in 1920s Tyneside, but also talk a lot about the author herself, and her phenomenal popularity among working-class women readers in the late 20th century.
Episode #8
For the eighth episode of the Working Class Library, the globally bestselling author Lee Child joins hosts Richard Benson and Claire Malcolm to talk about Dreda Say Mitchell’s groundbreaking 2004 novel Running Hot .
Episode #7
In this episode of the Working Class Library, David Peace joins Claire Malcolm, Chief Executive of New Writing North, and Richard Benson, editor of The Bee, to discuss David Storey’s classic, controversial 1960 kitchen-sink novel, This Sporting Life.<br /><br />This Sporting Life, said The Guardian, “provided one of the great energising shocks of the 1960s, a blast of energy smashing at the dullness, complacency and hypocrisy of class-ridden Britain.” Written by Storey when he was still a professional rugby league player, it is a story of frustrated sexual relationships, money, power and celebrity, set in the dark, smoky world of rug...
Episode #6
In the sixth episode of the Working Class Library, Kevin Barry joins Claire Malcolm, chief executive of New Writing North, and Richard Benson, editor of The Bee, to discuss Frank McCourt’s 1996 memoir Angela’s Ashes.<br /><br />McCourt’s account of his poverty-stricken childhood in New York and Limerick has sold ten million copies to date, and has been translated into more than 25 languages. Previously reluctant to believe anyone would be interested in the story of a poor family, the former schoolteacher waited until he was in his 60s to write and publish the book. As Kevin Barry explains, the sc...
Episode #5
For the fifth episode of the Working Class Library, the novelist David Nicholls joins Claire Malcolm, CEO of New Writing North, and Richard Benson, editor of The Bee, and to discuss Sue Townsend’s 1982 novel The Secret Diary of Adrian Mole Aged 13 ¾. <br /><br />Having initially been written for, and broadcast on, BBC Radio 4, The Secret Diary was the United Kingdom’s bestselling book of the 1980s, and to date has sold over twenty million copies, and been translated into almost fifty languages. It transformed the fortunes of Townsend, who had previously lived in dire poverty as a single mother after...
Recent guests on The Working Class Library. Study who booked and why before you pitch.
Sponsor detection runs nightly. Check back soon.
Based on semantic analysis of episode topics and host coverage, this show is a strong guest fit for executives in:
Industry fit is computed by PitchCentric using vector embeddings of the show's episode catalog.
Is this podcast yours and you'd like to remove or correct details? Request removal or email privacy@pitchcentric.com.
FAQs
If you have a concern about deliverability, AI quality, data privacy, or whether this will actually work for your specific situation, it's probably answered below.
Founder Solo gives you 50 AI pitches per month using the credit model (Standard pitches cost 1 credit, Enriched pitches cost 2). Founder Pro raises that to 200 credits per month and adds full Booking Probability access, unlimited Magic Match, Apollo enrichment credits, and data export capabilities. Both plans use the same credit system, so you can stretch your monthly budget further by using Standard-mode drafting.
Agency tiers have no base fee. You pay per managed client and per talent profile. Agency Standard is $199 per client per month; Agency Pro is $399 per client per month. Both add $39 per talent profile per month. Your own team's user seats are always free.
A talent profile represents one person (founder, executive, or spokesperson) you are booking onto podcasts. It includes their bio, topics, headshots, and outreach history. Team plans include 5 profiles; agency plans are pay-as-you-go.
Yes, at any time. Upgrades take effect immediately; downgrades apply at the end of the current billing period. Contact support if you need help migrating between plan families.
Every paid plan includes a 15-day free trial. Your card is saved at signup but you will not be charged until day 16. Cancel any time from your dashboard.
You keep access until the end of your current billing period. No charges after that. Your data is retained for 30 days in case you reactivate.
Yes. Select Annual on the pricing toggle and the discounted price is applied automatically at checkout. The annual price shown is the full year cost.
That is our Enterprise tier. Contact our sales team and we will build a custom plan with volume pricing, a dedicated account manager, and SLA guarantees.
