
<p>For the final episode of season one, we look back at the preeminent ‘80s trash rock band, Pussy Galore, and their long out-of-print final LP, Historia de la Musica Rock. We talk to Pussy Galore founder Jon Spencer...


music
Hosted by Burst & Bloom · music · EN
In the early ‘90s, a vibrant American underground music scene was dragged kicking and screaming into mainstream visibility – with turbulent, controversial, sometimes hilarious results. Musician Dylan Metrano and writer Gregory S. Moss speak with major bands, producers, label heads and hangers-on of the era, look back and try to make sense of this transformative moment in American cultural history. If you’re hungry to hear about the independent, lo-fi, garage, grunge, avant-garde and punk music of the late 20th century, this podcast will fill your goddamn socks.
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Contact path
Public web form
Booking probability
17%
Guest openness
Selective
Sign up to generate a grounded pitch for Revolution Come and Gone.
Signup to Generate a PitchIn the early ‘90s, a vibrant American underground music scene was dragged kicking and screaming into mainstream visibility, with turbulent, controversial, sometimes hilarious results. Musician Dylan Metrano and writer Gregory S. Moss speak with major bands, producers, label heads and hangers-on of the era, look back and try to make sense of this transformative moment in American cultural history.
Revolution Come and Gone is hosted by Burst & Bloom. The show has published 14 episodes to date.
Recent episodes include "Pussy Galore’s ‘Historia de la Musica Rock’ with Jon Spencer and Bob Bert" (4 November 2025, 42 minutes), "Thalia Zedek & Come" (28 October 2025, 34 minutes), and "Lou Miami & the Kozmetix" (21 October 2025, 28 minutes).
Revolution Come and Gone publishes roughly weekly, with episodes averaging 30 minutes across 14 episodes.
Booking probability for Revolution Come and Gone is 17%, and the host is rated Selective on guests. Revolution Come and Gone requires a Pod Score of 80 or higher. Revolution Come and Gone's contact route on record: public web form.
The strongest fits for Revolution Come and Gone are Music & Recording. Revolution Come and Gone has a music audience.
Burst & Bloom hosts Revolution Come and Gone, a music podcast with 14 episodes published.
Our AI reads these to draft pitches. Use them as grounding for a pitch that cites a real guest and a specific topic.

<p>For the final episode of season one, we look back at the preeminent ‘80s trash rock band, Pussy Galore, and their long out-of-print final LP, Historia de la Musica Rock. We talk to Pussy Galore founder Jon Spencer...

Episode #12
<p>One of the most distinctive and exciting bands of the alternative era was Come. A band as likely to be seen playing the clubs of Central Square in Cambridge as opening for the 120 Minutes titans of the day, like...

Episode #11
<p>In this episode, we uncover the story of a little-known but influential new wave artist from 1980’s Boston; a Jayne Mansfield-obsessed eccentric with a thick Boston accent, a frontman who combined the weird charm of...

<p>In this episode, we speak with DIY stalwarts Jenny Toomey and Kristin Thomson, founders of the influential Simple Machines label and the band Tsunami. We discuss running your own indie label, wearing shorts in the DC...

<p>For part three in our Boston series, we take a look at the scene in its pre-internet era, when radio played a key role in exposing bands to new listeners, fanzines and flyers were legitimate marketing tools, and...

<p>In this episode, we revisit the glory days of The Rat, Boston’s answer to CBGB’s; and remember an unlikely fixture of the club, Ed’s Redeeming Qualities- a ragtag folk group of artists who were a true punk band, even...

<p>Boston in the ‘80s and early ‘90s hosted a little-known and mostly undocumented underground music scene of incredible diversity, talent and vitality. </p><p>In this first episode in our examination of the Boston...

Episode #6
<p>In our second installment of our discussion with David Pajo, he talks about playing Misfits covers in front of Glenn Danzig, why he changed his band names so often, and just how he ended up playing in Billy Corgan’s...

<p>In this episode, we speak with the great David Pajo, who has played with a staggering list of seminal bands - Slint, Palace Brothers, Royal Trux, Tortoise, Stereolab, Gang of Four, Yeah Yeah Yeahs, Zwan, Interpol...

<p>This is the story of the rise and fall of the greatest club in America: Chicago’s Lounge Ax, and the club’s iconoclastic house band, the Coctails. We speak with Lounge Ax owners Julia Adams and Susan Miller Tweedy...

Episode #3
<p>In this episode, we talk to the stalwart indie rock sideman Tim Foljahn about his wide-ranging experiences playing with Half Japanese, Mosquito, Cat Power, Thurston Moore, the Boredoms, and Townes Van Zandt, as well...

<p>For the second part of our Lollapalooza story, we hear from the bands who were on the ground, played on, and witnessed the magic of the second stage. We hear from Ron Regé Jr., Damon Tutunjian, and Andy Bernick...

Episode #1
<p>What would you have done if, at the tender age of 23, you were asked to curate a stage at a multimillion-dollar festival, and you could include all your favorite bands? For Revolution Come and Gone’s first episode...

Revolution Come and Gone
<p>In the early ‘90s, a vibrant American underground music scene was dragged kicking and screaming into mainstream visibility – with turbulent, controversial, sometimes hilarious results. Musician Dylan Metrano and...
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