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Hosted by University of Arizona Poetry Center · 🇺🇸 US · EN-US · 67 episodes
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Linger in the space between a poem being spoken and being heard. Poetry Centered features curated selections from Voca, the University of Arizona Poetry Center’s online audiovisual archive of more than 1,000 recordings of poets reading their work during visits to the Center between 1963 and today. In each episode, a guest poet introduces three poems from Voca, sharing their insights about the remarkable performances recorded in our archive. Each episode concludes with the guest poet reading a poem of their own.
University of Arizona Poetry Center hosts Poetry Centered, a arts show with 67 episodes published.
Richard Blanco curates poems that look to language as a spiritual and psychological home, a center from which we make sense of reality. He introduces Ada Limón confronting the limits of what a poem can do (“The End of Po
Eduardo Martínez-Leyva considers what it means to be a good ancestor, to live and work with the desire to comfort those who will follow us in their own trying times. He shares Gloria Anzaldúa modeling the mixed languages
Laura Da’ selects poems that report back to us with forthright courage She introduces James Welch speaking with a ringing sense of sovereignty (“In My First Hard Springtime”), Saretta Morgan crossing thresholds of space
Asa Drake introduces poems that illustrate the long line’s possibilities for creating meaning and connection. She shares Saretta Morgan demonstrating silence and expansiveness (“Dominant orientation lights a corridor wid
Prageeta Sharma selects recordings by poets who shaped her as a writer, and who have also shaped the landscape of contemporary American poetry by blending a sense of intimacy with direct address. She shares Ai inhabiting
Lawrence-Minh Bùi Davis curates poems that illuminate characteristics of refugee poetics. He introduces Mai Der Vang on the displacement of the self (“Dear Exile”), Monica Sok on the contradictions inherent in being a re
Philip Metres introduces poems that speak to the enduring work of poetry to carry us toward life. He shares W.S. Merwin reflecting on how we not only survive but live (“The River of Bees”), William Stafford invoking the
July Westhale shares poems that unfold into moments of clarity and questioning. They introduce Carl Phillips’ reflection on truth (“Continuous Until We Stop”), Linda Gregg’s complex and hard-won simplicity (“What If the
Radical Reversal is a program that installs performance and recording spaces in detention centers and correctional facilities where they conduct poetry workshops, seminars in music and music production, readings, and per
Samyak Shertok curates poems that shift between image and narrative, between sound, silence, and simile as they create something wholly new. He introduces Joy Harjo testing the line between being an eyewitness and witnes
Dawn Lundy Martin selects poems of urgency, tension, and devotion. She shares Daniel Borzutzky responding to massacres with a poem that must be written (“Written after a Massacre in the Year 2018”), francine j. harris ne
Leila Chatti chooses poems illuminated by a heart left often to life here on Earth. She introduces us to Linda Gregg’s fierce and incandescent honesty (“There She Is”), Lucille Clifton’s embrace of lightness amidst strug
Samuel Ace introduces poems that speak to today with raw honesty, truthfulness, and bravery. He shares Angel Dominguez wrestling with atrocity and empathy (“Dear Diego, Tell me what you know of stars”), Ilya Kaminsky bra
Harmony Holiday selects poems that shed the skin of nostalgia, testing the boundaries of cruelty as they push toward clarity. She introduces Robert Hass accepting moments of error (“A Story About the Body”), Ai recognizi
In our fiftieth episode, Nicole Sealey chooses poems that speak to the lasting power of big ideas offered generously to one’s community. She shares Toi Derricotte forecasting the spirit of Cave Canem (“I say hello, oracl
Kwame Dawes introduces poems that interrogate loss and violence, transforming them in the flame of irony, elegy, and empathy. He discusses Lucille Clifton distilling “pure moments of tremendous poetry” (“lu 1958”), Micha
Mackenzie Polonyi selects poems that engender bell hooks’ idea of love as a verb—a mycorrhizal, persistent, and complicated act linking us to past and present, near and far. She discusses Lucille Clifton on the boundless
Abigail Chabitnoy curates poems that dwell in fields of searching, connecting, and being. She introduces Michael Wasson communing with those who are no longer breathing (“Aposiopesis [or, The Field between the Living & t
Diego Báez introduces us to three Gabriels connected by themes of reclamation and new beginnings. He shares Gabriel Dozal approaching the US-Mexico border with humor (“You Look at Crossers, You Look Just Like Them”), Gab
Valerie Hsiung selects poems that disorient as they open us to the vital, visceral present. She introduces Roberto Tejada and the poem as a breaking fever (“Kill Time Objective”), Jennifer Elise Foerster as a channel for
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Poetry Centered is hosted by University of Arizona Poetry Center. The show is categorised under arts (books) and has published 67 episodes.
Poetry Centered has published 67 episodes.
Poetry Centered regularly covers arts, books. It sits in the arts category, with a books focus.
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