After the Frame Podcast

After the Frame is where the credits roll but the conversation begins. We dive into the emotional beats, hidden meanings, and lingering questions behind your favorite films and shows. If you love rewatching with a deeper lens, unpacking character arcs, or exploring “what happens next,” this is your space. Smart, heartfelt, and a little nerdy—perfect for fans who can’t stop thinking after the screen fades to black.

After the Frame Podcast is a tv podcast hosted by Matthew Alden, Malik Moss-Solomon, with 40 episodes on record and a Required Pod Score of 80.

Matthew Alden, Malik Moss-Solomon hosts After the Frame Podcast, a tv show with 40 episodes published.

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  Episode #40

  Movie Mayhem: Big Swings & Bigger Debates

  Sep 20, 20261h 13mS1

  This week on After the Frame, the three of us are getting into the kind of movie conversation that starts with one opinion and somehow turns into an argument about four completely different films. From the ambition of Sinners and the blockbuster spectacle of Mission: Impossible: The Final Reckoning to Jurassic World Rebirth and Superman, we trade takes on what worked, what fell short, and which movies actually delivered on the hype. There are disagreements, unexpected defenses, a few questionable takes, and plenty of appreciation for the moments that remind us why we love going to the movies in the first place. No carefully coordinated rankings this time, just three movie fans seeing where the conversation takes them. Big movies, bigger opinions, and absolutely no guarantee we’ll agree on any of them.

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  Episode #39

  Insidious, Finding Emily & Fixing the Movies

  Sep 13, 20261h 8mS1

  This week on After the Frame, we’ve got two very different reviews before zooming out for a bigger conversation about the state of movies themselves. We start with Insidious: Out of the Further, a return to a horror franchise that may finally be running out of places to go. There are still a few effective scares and a genuinely uncomfortable dental-horror hook, but familiar mythology, recycled genre beats, and characters we struggle to care about leave us wondering whether some horror franchises simply need to know when to stop. Then we switch gears with Finding Emily, a perfectly competent modern rom-com that raises a completely different problem: what happens when a movie does almost everything fine, but nothing memorably? We talk about the performances, the straightforward execution, and why being merely “solid” can sometimes be more frustrating than taking a big swing and missing. That leads us into a wider conversation about how we’d improve the movie business, from the types of stories studios should be taking more chances on to the habits, trends, and creative decisions we’d love to see change. Less about complaining that “movies are bad now,” and more about what could actually make going to the movies better. Two reviews, one bigger industry conversation, and plenty of thoughts on what Hollywood should keep, kill, and rethink.

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  Episode #38

  Cartoon Chaos & Unexpected Heart

  Sep 6, 202638 minS1

  This week on After the Frame , we’re diving into two movies that take familiar childhood imagery, twist it into something stranger, and somehow find more heart than expected along the way. We start with Coyote vs. Acme , a long-awaited Looney Tunes adventure that understands exactly why these characters still work. The live-action/animation hybrid looks great, the slapstick hits, and the courtroom premise gives Wile E. Coyote’s endless string of failures a surprisingly sincere payoff about effort, perseverance, and continuing to try when absolutely nothing goes your way. Then we move into Buddy , a much darker spin on childhood television that imagines what happens when the cheerful world of an old-school kids’ show turns deeply sinister. We talk about the killer opening act, the very specific surreal comedy, Cristin Milioti’s ability to ground the insanity, and why the movie never quite reaches the heights of its initial setup. One resurrects classic cartoon chaos. The other turns childhood nostalgia into a nightmare. Both prove there’s still plenty of mileage in taking something familiar and making it very, very weird.

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  Episode #37

  The End of Oak Street & Great Ideas, Rough Landings

  Aug 23, 20261 hourS1

  This week on After the Frame , we start with The End of Oak Street , a throwback summer adventure built on dinosaurs, old-school escapism, and strong technical craft. We break down the Amblin-style energy, the performances, the brisk pacing, and why the movie works as a fun popcorn thriller, even if it never quite captures the soul of the classics it’s chasing. From there, we widen the conversation to one of the most frustrating things in movies: when the idea is way better than the final product. We dig into films with killer premises, huge potential, and the kind of concepts that immediately make you want to buy a ticket, only to leave us wondering how so much promise turned into something merely okay. Some needed deeper world-building, some took the wrong story path, and others simply never capitalized on the thing that made the concept exciting in the first place. One solid dinosaur adventure, plenty of missed opportunities, and a whole lot of “how did you have THAT idea and make THIS movie?” energy.

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  Episode #36

  A Brand New Day & A Casting Nightmare

  Aug 9, 20261h 22mS1

  This week on After the Frame , we swing into the next chapter of Tom Holland’s Spider-Man before stepping directly into one of the most dangerous debates in comic-book movie history. We begin with our review of Spider-Man: Brand New Day , a grounded, street-level reset that gives Peter Parker’s emotional journey room to breathe. We break down the fresh direction, striking comic-book style, carefully timed humor, and how the movie builds on the consequences of No Way Home without feeling trapped by the past. We also discuss the expanded cast, the new character dynamics, and why this feels like the confident beginning of a new era for Spider-Man. Then we turn our attention to the casting choices that still leave Marvel and DC fans asking one question: What were they thinking? We count down our ten worst superhero castings, judging the biggest gaps between performer and character, not simply the weakest acting. Some were damaged by bad scripts, some fundamentally misunderstood the role, and others became distractions from the heroes and villains they were supposed to embody. One of the strongest Spider-Man movies in years, ten casting decisions we’re still arguing about, and enough comic-book hot takes to guarantee a completely calm and reasonable response online.

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