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Hosted by Nathan Stevens · 🇺🇸 US · EN · 98 episodes
Established thought leaders with verified media credentials.
An interview series with the best musical artists of the 21st century.
Nathan Stevens hosts Woodhouse Interviews, a music show with 98 episodes published.
It’s hard to balance tenderness and horniness. Lean too far into the former and everything becomes saccharine and safe. The latter and you dash all chances for sweeping romance. Fuse the two within music, especially coun
Metal and Country have more in common than you think. Like the void. The darkness at the center of Townes Van Zandt is the same consuming abyss that fuels Xasthur. Jordan Day knows that better than anyone. A metal guitar
When Daughn Gibson disappeared, he left brief bursts of radio transmissions. EPs would suddenly appear on Bandcamp, taken down months later. Did that album even exist? It was an easy question to ask considering the noir,
Sometimes an album is a cage match. Sometimes that cage match is man vs self. Jab/cross from Spain’s Niños Luchando is the sound of a man fighting himself—or dancing with himself. With synth arpeggios spiraling like doub
There’s a tendency to focus on a prodigy’s age and what they could do in the future. But that obscures what heavensouls has already done as a teenager. He became a RateYourMusic darling as one part of epic collage rap pr
Take the Broad-Ridge spur straight to hell. Emily Moales’ version of Philly has baristas mingling with wizards and turnpikes to celestial realms. Its the mundane and the magical, but even dragons have to pay rent. Highwa
“Condemn me” It’s the first sentiment on Belgian band Ão’s hypnotic, stunning album Malandra. Thumping electronic beats are bolstered by bellowing drums, labyrinthine guitar patterns entwining, and orchestral stings addi
Richard Carrick makes maps. Yes, he’s a pianist, and in the middle of a trilogy of albums inspired by North Africa, but each record outlines his cartography. l’Algérie, a tribute to Algeria, his mother’s homeland, sounds
It’s the last day of summer, school is about to start, and the sun is setting. It still feels like heaven. Destination Heaven, the collaboration between East Coast sweethearts Euphoria Again and Dogwood Tales is a shaggy
Sculpture becomes painting becomes music. All is intwined. That’s the philosophy of Realf Heygate, musically known as Flaer. The multi-disciplinary artist explores family, grief, and nature in a vast swath of mediums, bu
Si Me Ven Alegre is all push and pull, ebb and flow Laura Itandehui’s vibrant, infinitely danceable new album strolls through a bevy of Latin subgenres, always plucking the most colorful pieces for itself. Meanwhile, lov
I NTERIA moves like a swan. Graceful on the surface, churning below to keep afloat. Nina Maia’s remarkably assured debut arrives with shimmering beauty. The production is sleek and lush by turns, her voice is pop diva pe
The Turning is a pulp novel turned into a metal album. And that is some of the highest praise I can heap on North Carolina stalwarts Bask. The churning mix of country, stoner metal, old school rock’n’roll, and cosmic sto
Heavenly reverb is suddenly shattered. Jack Tobias loves ruptures. That’s clear from his work in YHWH Nailgun, where machine gunning synths burst through previously coherent sonic thoughts. On his solo EP Warm People, he
The names in Fragile Wings suggest softness; tenuous and brittle. And there is desperation in “Hopeless Magic,” “Three-Headed Moth” and, of course, the album title. But the album is anything but fragile. A deft mixture o
Stockholm duo Alex Zethson and Johan Jutterström’s new album is a beautiful, minimal reflection on perfectionism and failure. Through an intense and intimate recording process that picks up the clack of saxophone valves,
A pyromaniac haunts Points of Origin. John Leonard Orr, a serial arsonist who was also a fire investigator, shambles through Will Stratton’s excellent new album as a wayward grim reaper. But fire itself does not haunt Po
“I’m a savage/I’m a sad bitch,” slurs Quinton Barnes. He’s more the former than the latter on CODE NOIR. The Canadian rapper blends R&B, hip-hop, house, hyperpop, and anything else that would inject his beats with color
Supplication offers a path. Christianity, heteronormativity, they promise a program. Follow us, do not question, and you will be rewarded. What happens when you stray? That’s a core question behind Baths. Will Wiesenfeld
Ghosts litter Drinking Songs. The damned drowned, dying soldiers, innocents packed onto a train before it explodes; there’s not a note on Drinking Songs that isn’t haunted. Released 20 years ago this year, Drinking Songs
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Woodhouse Interviews is hosted by Nathan Stevens. The show is categorised under music (interviews) and has published 98 episodes.
Woodhouse Interviews has published 98 episodes.
Woodhouse Interviews regularly covers music, interviews. It sits in the music category, with a interviews focus.
Woodhouse Interviews is accessible for guests with genuine music expertise. A personalised, episode-aware pitch will still outperform a generic one every time.
Woodhouse Interviews hasn't explicitly signalled guest openness in recent episodes. That doesn't rule out pitching. your hook just needs to be especially compelling and relevant to their recent content.
Episodes of Woodhouse Interviews average 27 minutes. a focused format where a clear narrative arc and tight preparation matter most.
Our data rates Woodhouse Interviews's guest bar at 80/100 (Premium tier). Established thought leaders with verified media credentials. Sign in to PitchCentric to see how your own Pod Score compares against this show.
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