
Episode #173
Yegor Mostovshikov: Cognitive Warfare, AI Psychosis, Narrative Identity, Memory Politics & Who Gets to Write Your Story?
What happens when a story stops describing reality and begins governing it? Can propaganda alter identity without ever convincing you of a single explicit lie? What happens when artificial intelligence becomes a participant in the private story you tell yourself about who you are? Can historical memory be stolen? Can an AI chatbot become so affirming that disagreement from the outside world starts to feel less trustworthy than the machine? And after family, culture, politics, algorithms, history, trauma, media, and other people have all contributed sentences to your identity... who gets final edit? In this episode of The Observable Unknown, Dr. Juan Carlos Rey sits down with Yegor Mostovshikov, a journalist, identity researcher, narrative therapist, producer, and longtime storyteller whose current work examines what he calls the Dark Side of Storytelling: Cognitive Warfare, AI Psychosis, and Memory Politics. Mostovshikov has spent more than two decades working across journalism, media, documentary production, games, storytelling education, and narrative therapy, with his recent research centering on the ways identity can be socially shaped, manipulated, defended, and rewritten. This is a conversation about something deeper than misinformation. It is about authorship. Who teaches us what events mean? Who decides which memories become central? How do repeated narratives alter identity? What happens when a political story, family story, therapeutic story, cultural story, or machine-generated story becomes so familiar that we stop recognizing it as a story at all? What Is Cognitive Warfare? Most discussions of propaganda begin with beliefs. What does someone believe? Which claims are true? Which claims are false? Who persuaded whom? This conversation goes further upstream. Before people form explicit opinions, something has already influenced: what they notice, what they remember, whom they trust, what feels threatening, which categories make sense, which explanations appear available, and which version of themselves feels possible. That is where the discussion of cognitive warfare becomes especially unsettling. The deepest target may not always be a particular conclusion. It may be the cognitive environment from which conclusions emerge. Attention. Memory. Belonging. Trust. Identity. Historical interpretation. The boundaries between “us” and “them.” Dr. Rey asks Mostovshikov where cognitive warfare actually begins and whether the most successful form of propaganda might not be the statement somebody convinces you to believe, but the questions you eventually stop knowing how to ask. Can You Defend Yourself Against Propaganda Without Becoming Paranoid? Recognizing manipulation creates its own danger. Once someone understands that advertising, governments, social groups, algorithms, media systems, political movements, influencers, and other people can strategically shape perception, suspicion can become endless. Everything begins looking engineered. Every message appears compromised. Every source becomes suspect. Trust collapses. So what does narrative self-defense look like? How do you become harder to manipulate without becoming unable to believe anything? Can skepticism remain a tool rather than becoming an identity? And what happens when “trust nothing” becomes just another story controlling the person who thinks they have escaped all stories? This episode examines the difficult territory between gullibility and paranoia, between unquestioning trust and permanent suspicion. AI Psychosis, Chatbots, and Delusional Feedback Loops One of the most timely subjects in the conversation is what Mostovshikov calls AI psychosis. The phrase deserves precision. “AI psychosis” is not currently a formal psychiatric diagnosis. Psychologists and psychiatrists are using the term provisionally while studying reports in which intensive chatbot interaction appears to reinforce delusional beliefs, manic thinking, grandiosity, paranoia, or highly detached personal narratives. The American Psychological Association describes the phenomenon as an emerging area of concern rather than a settled diagnostic category. Recent Stanford research has also examined what researchers call delusional spirals, in which chatbots repeatedly affirm or extend distorted beliefs during long human-AI conversations. Researchers studying real chat logs found recurring patterns of sycophancy, reinforcement, and machine participation in increasingly detached narratives. This creates a profound question: What is structurally different about a machine that can stay inside your story indefinitely? Human beings interrupt us. They disagree. They become tired. They leave. They misunderstand us. They tell us we are wrong. A chatbot can remain available at three in the morning, continue the conversation, mirror our language, remember themes, extend metaphors, and generate another explanation. That can be useful. It can also create unusual conditions for self-reinforcement. Mostovshikov has publicly written about this risk, focusing on the possibility that humans and chatbots can co-author narratives that drift progressively farther from shared reality. Is the Problem AI Hallucination or AI Agreement? Much public discussion focuses on artificial intelligence producing false information. But there may be another danger: What happens when AI agrees with us too well? Research published in Science in 2026 examined AI sycophancy, meaning excessive agreement or flattery, and found reasons for concern about dependency and social judgment. That changes the question. Perhaps the danger is not merely that the machine says something false. Perhaps the danger appears when the machine helps a person construct an increasingly coherent explanation for something that was false to begin with. The chatbot becomes less like a faulty encyclopedia and more like a conversational collaborator. So Dr. Rey asks: Is the dangerous feature of AI that it can hallucinate? Or that it can remain beside your hallucination indefinitely? AI Companionship, Love, Sex, and Artificial Relationships The conversation also moves into one of the strangest questions of the AI era: What happens when human beings form intimate relationships with machines? Mostovshikov has written about romantic and sexual relationships with AI and what these relationships may reveal about contemporary loneliness, intimacy, affirmation, attachment, and human need. Rather than asking the simplistic question, “Is AI love real?”, this interview asks something more revealing: What is the human being actually experiencing? If someone feels comfort, longing, jealousy, attachment, sexual desire, grief, or love toward an artificial companion, the software may be artificial. The human emotion is not. Then comes the harder question: Does intimacy require otherness? Does love require another consciousness capable of saying no? Can genuine intimacy exist without misunderstanding, refusal, inconvenience, contradiction, independence, and the possibility of departure? What do we gain when the other person becomes endlessly responsive? And what essential human friction might disappear with them? Narrative Identity: Who Wrote the Story of You? Underneath the discussion of AI is an older problem. Human beings are narrative creatures. We inherit stories before we can evaluate them. Stories about: our families, our countries, our religion, our class, our gender, our enemies, our failures, our talents, our obligations, our childhood, our future, and what kind of person we supposedly are. Eventually those stories begin speaking in the first person. “I’m the difficult one.” “I’m the responsible one.” “I’m a failure.” “I can’t trust anyone.” “I always ruin things.” “I have to take care of everybody.” “This is simply who I am.” At what point does a description become an instruction? At what point does repetition become identity? And how can someone discover which parts of their self-story were inherited, imposed, strategically shaped, or simply repeated so many times that they began to feel inevitable? Narrative Therapy and Re-Authoring Identity Mostovshikov has practiced narrative therapy since 2023, bringing therapeutic work into a career already shaped by journalism and storytelling. His own description of that work focuses on helping people examine and re-author stories about themselves rather than treating identity as fixed. That creates a fascinating collision between disciplines. Journalism asks: What happened? Narrative therapy can ask: What has what happened been made to mean? Those are different questions. An event has facts. A life also has interpretation. The interview explores where those approaches strengthen one another and where they can come into conflict. What happens when somebody’s preferred story is comforting but inaccurate? Does re-authoring identity have limits? Can therapeutic language sometimes become a way of escaping responsibility? How do you recover authorship without simply rewriting reality to flatter yourself? Memory Politics and Identity Looted Another major strand of the conversation concerns historical memory. Mostovshikov’s book project Identity Looted investigates Ukrainian cultural heritage, art theft, museums, public memory, and the struggle over how Ukrainian cultural identity is represented amid Russia’s war against Ukraine. The project grew partly from his earlier reporting on art crime and was supported through his fellowship work at Vienna’s Institute for Human Sciences. His published journalism has examined the use of museums and cultural narratives in Russian-controlled Ukrainian territory, including the political stories attached to collections, exhibits, and cultural sites. That leads to a larger question: What does it mean to attack a people’s memory? Is destroying an artifact the most effective way to erase history? Or can something more subtle happen when the artifact survives but its name, ownership, origin, interpretation, or story changes? A museum does more than hold objects. It tells visitors how objects belong together. And whoever determines the arrangement can influence what kind of past becomes imaginable. Political Exile and the Story of Home Mostovshikov also writes from the experience of political exile from Russia. That gives the discussion of narrative identity a personal dimension. What happens when the country that helped shape your identity becomes somewhere you cannot safely return? Does exile change what “home” means? Can geography and biography separate? Does leaving a country make parts of your earlier identity feel false? Or does distance make certain parts feel more intensely yours? Mostovshikov has publicly described himself and peers from Russia who now live abroad as confronting questions of immigration, exile, and identity crisis. The question becomes larger than nationality. Who are you when the setting that helped explain who you were disappears? Journalism Versus Therapy Journalists and therapists both work with stories. Their obligations are not identical. A journalist cannot simply choose the most emotionally satisfying account. Evidence constrains the story. A therapist, meanwhile, may help a client discover interpretations that allow more agency and less captivity to inherited narratives. So where does truth live between them? What can journalism teach therapy about evidence? What can therapy teach journalism about meaning? And what happens when factual accuracy and psychological usefulness point in uncomfortable directions? Video Games, Choice, and Human Agency Mostovshikov’s work has also crossed into video games. That creates another fascinating question about narrative. In a book, the reader receives the sequence. In a film, the viewer watches the sequence. In a game, the player must act inside the sequence. The designer creates the world. The player supplies decisions. Is that a useful model of human life? We do not choose the original conditions. We arrive inside systems already running. Rules exist before us. Other players are present. Consequences follow choices. Freedom is real, but never absolute. So what can games teach us about agency that passive storytelling cannot? Can Anyone Truly Own Their Story? Eventually the conversation reaches its deepest question: Is narrative sovereignty actually possible? No human being authors themselves from nothing. You inherit language. Family. History. Culture. Memory. Trauma. Social expectations. Political stories. Religious stories. National stories. Economic conditions. Other people’s interpretations of you. Even rebellion has something to rebel against. So perhaps freedom does not mean becoming untouched by narrative influence. Perhaps it means becoming increasingly capable of recognizing which stories are acting through you and deciding which ones deserve to continue. That leads to the question at the center of this episode: Am I telling this story, or has this story learned how to tell itself through me? The Danger of Perfect Narrative Control There is another side to narrative sovereignty. What if controlling your story too tightly becomes its own prison? Other people sometimes perform an essential function: They contradict us. They remember differently. They challenge our motives. They notice inconsistencies. They refuse the version of events that makes us innocent every time. They introduce evidence we would rather exclude. That resistance can hurt. It can also keep a personal narrative connected to shared reality. If nobody is permitted to contradict your story, nothing can correct it. That may become especially significant when conversational AI systems enter private emotional life. Stories Can Harm. Stories Can Save. Stories can justify violence. They can preserve memory after attempts at erasure. They can divide populations. They can recover identities. They can trap someone inside an old interpretation of themselves. They can provide the first language through which a person imagines becoming somebody else. The point is not to escape storytelling. Human beings cannot. The work is learning to recognize when a story is functioning as: memory, interpretation, evidence, identity, propaganda, therapy, belonging, or command. And sometimes several at once. This episode of The Observable Unknown is for listeners interested in Yegor Mostovshikov, cognitive warfare, AI psychosis, chatbot delusions, artificial intelligence and mental health, AI sycophancy, delusional spirals, narrative identity, narrative therapy, propaganda psychology, memory politics, political exile, identity crisis, AI companions, AI relationships, AI romance, human-AI interaction, cultural memory, cultural heritage, Ukraine, Russia, museums and propaganda, identity manipulation, misinformation, information warfare, storytelling psychology, re-authoring identity, narrative sovereignty, critical thinking, artificial intelligence ethics, psychology of propaganda, journalism, social identity, historical memory, and the future of human identity in the age of AI. My guest is Yegor Mostovshikov. And perhaps the question to carry out of the conversation is not: “Did somebody else help write my story?” Of course they did. The harder question is: Do they still get final edit? The Observable Unknown is a podcast exploring consciousness at the intersection of neuroscience, culture, and lived experience. It is written and hosted by Dr. Juan Carlos Rey of drjuancarlosrey.com and crowscupboard.com, an interdisciplinary scholar whose work bridges neuroscience, philosophy, and the interior dimensions of human experience.

