Oct 23, 2026—
Cinematographer Stuart Dryburgh explains how natural light, practical sources and an invisible camera shaped Netflix’s East of Eden, shot in New Zealand with director Garth Davis.
About this Podcast:
Art, Business, Craft and Philosophy of the Moving Image
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52%
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Accepting guests
80/100
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Signup to Generate a PitchQuestions about The Cinematography Podcast
What has The Cinematography Podcast covered recently?
Recent episodes include "Stuart Dryburgh, ASC: candlelight and naturalism in East of Eden" (23 October 2026), "DP Matheus Bastos on making budget indie films Gazer and Anima" (17 October 2026), and "DP Doug Emmett on shooting the crime drama Furious" (2 October 2026).
How often does The Cinematography Podcast publish?
The Cinematography Podcast publishes roughly weekly, with episodes averaging 71 minutes across 448 episodes.
How hard is it to get booked on The Cinematography Podcast?
Booking probability for The Cinematography Podcast is 52%, and the host is rated Open on guests. The Cinematography Podcast requires a Pod Score of 80 or higher. The Cinematography Podcast's contact route on record: verified email.
Who should pitch The Cinematography Podcast?
The strongest fits for The Cinematography Podcast are Film & Video. The Cinematography Podcast has a tv audience.
About the host
The Cinematography Podcast is a tv podcast with 448 episodes published.
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Recent episodes
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Oct 17, 2026—Cinematographer Matheus Bastos on shooting Gazer and Anima on 16mm with little money, how handheld and zooms track character, and why focusing on the work beat chasing an agent. This episode is a candid look at how...
Oct 2, 2026—Furious DP Doug Emmett breaks down how the production team aligned on tone, lighting a penthouse with floor-to-ceiling windows, and creating a red-lit party scene. Podcast highlights include: -How the Furious team...
Sep 25, 2026—Director Dave Boyle and DP Patrick Ouziel on making the ghost story Never After Dark in Japan: a 28-day shoot, a backlit zoetrope mirror, and in-camera magic. Podcast highlights: -How Boyle, fresh off the Netflix hit...
Sep 18, 2026—Director Wesley Wang on building Wesley Wang Media, an indie studio incubator for online creators, launching a $100K open contest, and staying a filmmaker himself. Podcast highlights include: -How Wesley Wang Media...
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Sep 18, 2026—Remembering cinematographer Rodney Charters, ASC, dp of 24, Sleepwalkers, and much more in this classic Cinepod conversation on craft, career, and lighting.
The Cinematography Podcast
DP Brett Pawlak’s vision for Spider-Man: Brand New Day
Sep 4, 20261h 11mDP Brett Pawlak on grounding Spider-Man: Brand New Day in natural light, practical suit design, and 17 years collaborating with Destin Cretton. Podcast highlights include: -How Pawlak and Cretton’s input about the suit...
The Cinematography Podcast
Building a nearly silent crime drama in Motor City
Aug 28, 20261h 11mCinematographer John Matysiak on shooting Motor City's nearly dialogue-free story, real in-camera stunts, and building its 1970s Detroit look from film tests. Podcast highlights include: -Why Motor City tells its...
The Cinematography Podcast
Bringing indie instincts to Voicemails for Isabelle
Aug 22, 20261h 11mDP Julia Swain on faking the Golden Gate Bridge, rigging a real tour bus, and bringing indie instincts to Netflix's Voicemails for Isabelle Podcast highlights include: -How Julia shot the film's pivotal Golden...
The Cinematography Podcast
Michael Bauman on building horror for Monster: The Ed Gein Story
Aug 14, 20261h 11mDP Michael Bauman, ASC on shooting Monster: The Ed Gein Story, building a visual language with period lenses, and lighting with just reflectors and flashlights. Podcast highlights include: -How Michael built a distinct...
The Cinematography Podcast
Shooting mud, fog and firelight in A Knight of the Seven Kingdoms
Aug 7, 20261h 11mDOP Gustav Danielsson, FSF on shooting HBO's A Knight of the Seven Kingdoms with naturalistic firelight, practical battlefield fog, and in-camera POV shots Podcast highlights include: -How Gustav and director Owen...
The Cinematography Podcast
Matt Ball on shooting in remote regions for Tucci in Italy
Jul 31, 20261h 11mDP Matt Ball on shooting Tucci in Italy Season 2, the challenges of journeying to remote regions over tourist spots, and capturing emotional moments on camera. Podcast highlights include: -How the show featured...
The Cinematography Podcast
Eben Bolter, ASC, BSC reimagines a noir classic in Cape Fear
Jul 17, 20261h 11mDP Eben Bolter, ASC, BSC breaks down the watery, noir lighting, anamorphic lenses, and practical tricks behind Apple TV's Cape Fear. Podcast highlights include: -How Eben built Cape Fear's look around the...
The Cinematography Podcast
Lyle Vincent on lighting the darkness of The Beast in Me
Jul 11, 20261h 11mCinematographer Lyle Vincent on shooting the Netflix series The Beast in Me with Panavision lenses and hard lighting that allow deep shadows to fall into black. Vincent's work is a continuation of his collaboration...
The Cinematography Podcast
Christian Sprenger on building the horror-comedy Widow’s Bay
Jul 1, 20261h 11mChristian Sprenger, ASC on balancing horror and comedy in Widow's Bay with lighting, practical effects, and years of trust built with producer Hiro Murai. Podcast highlights include: -How Christian's 11-year...
The Cinematography Podcast
Peter Konczal, ASC on Black Rabbit’s raw, low-contrast look
Jun 20, 20261h 11mPeter Konczal, ASC on Black Rabbit's deliberately low-tech-analog toolkit, customized blue bounce light, and the gradual unraveling of its visual style episode by episode. Podcast highlights include: -The...
The Cinematography Podcast
Suburban street photography and voyeurism in DTF St. Louis
Jun 17, 20261h 11mDP James Whitaker, ASC breaks down the look of HBO's DTF St. Louis: street photographs, a brutalist style police station, and inobtrusively lighting intimacy. Podcast highlights include: -How street photography...
The Cinematography Podcast
Smoke, spotlights, Silicon Valley secrets in The Audacity
Jun 13, 20261h 11mThe Audacity DP Richard Rutkowski, ASC made Vancouver look like Palo Alto, used lens filters instead of special effects to create wildfires, and dramatized the themes of the show with spotlights and framing. Podcast...
The Cinematography Podcast
Bonus Episode: Peter Deming, ASC
Jun 5, 20261h 11mS0Peter Deming, ASC on shooting Evil Dead 2 with director Sam Raimi and working with director David Lynch on Lost Highway, Mulholland Drive, and Twin Peaks. Find Peter Deming: Instagram @peter_deming Spider Noir is now...
The Cinematography Podcast
Shooting in the dark: the making of Spider Noir
Jun 5, 20261h 11mS0Cinematographers Darren Tiernan, ISC and Peter Deming, ASC are the DPs of Spider Noir, the new MGM Plus and Amazon Prime series starring Nicolas Cage as the hard-boiled 1930s New York detective version of Spider-Man...
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