
"Still Life With Queen"
Transcript: Megan Fontanella: This painting is Gabriele Münter “Still Life with Queen” an oil on canvas from 1912. Gabriele Münter often combined unrelated objects from her private world in her paintings, as in the “Stil

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Hosted by Solomon R. Guggenheim Museum · EN · 500 episodes
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Listen to audio about exhibitions and artworks at the Solomon R. Guggenheim Museum in New York City. Frank Lloyd Wright's landmark building is home to a collection of modern and contemporary masterpieces.
Solomon R. Guggenheim Museum hosts Solomon R. Guggenheim Museum, a general show with 500 episodes published.

Transcript: Megan Fontanella: This painting is Gabriele Münter “Still Life with Queen” an oil on canvas from 1912. Gabriele Münter often combined unrelated objects from her private world in her paintings, as in the “Stil

Senior Paintings Conservator Julie Barten gives an inside look at how "Barge" traveled from Bilboa to New York.

Senior Curator Joan Young introduces Robert Rauschenberg: Life Can't Be Stopped

Senior Curator Joan Young discusses the significance of "Untitled (Red Painting)"

Senior Curator Joan Young on the centerpiece of the exhibition. Barge, which was executed in a 24-hour period, is the largest of the series of 79 silkscreen paintings the artist made from October 1962 until June 1964. Wh

Grounded in Rauschenberg’s belief that art operates between art and life, this section contrasts the open, experimental technological culture of E.A.T. with today’s opaque AI systems. It reflects on how generativity—and

Discover how Rauschenberg used newspaper rubbings, solvent transfers, and inkjet prints to pull everyday imagery into layered works grounded in an age-old printmaking tradition.

Noam connects contemporary AI to Rauschenberg’s Revolver, tracing a shared logic of generative systems, interaction, and distributed authorship across art and technology.

See how Rauschenberg’s newspaper and magazine transfers blur drawing and print, revealing hidden dates and sources that can be traced through tiny fragments of text embedded in the work.

Senior Curator Joan Young talks about Rauschenberg's extensive history with the museum.

See how this small 1952 collage reflects Rauschenberg’s Morocco travels and his use of humble materials, layering printed fragments onto the cardboard from laundered shirts.

Senior Curator Joan Young talks about Rauschenberg's lasting legacy.

Hear from Noam Segal, the LG Electronics Associate Curator, who oversees technology-based art at Guggenheim New York. Hear from Noam Segal as she introduces Rauschenberg as a generative artist.

Understand generativity and Rauschenberg's role in the field.

Explore how Rauschenberg blurred the lines between mediums, embracing experimentation and the unpredictable “magic” of printmaking to create works that constantly expand beyond any single technique.

Senior Paintings Conservator Julie Barten takes a look at how this work was created.

With Jeffrey Warda, discover how Rauschenberg used newspaper rubbings, solvent transfers, and inkjet prints to pull everyday imagery into layered works grounded in an age-old printmaking tradition. Transcript: One of the

See how this small 1952 collage reflects Rauschenberg’s Morocco travels and his use of humble materials, layering printed fragments onto the cardboard from laundered shirts. Transcript: There's a small work in a case, th

Explore with Senior Conservator for Works on Paper and Photographs Jeffrey Warda, how Rauschenberg blurred the lines between mediums, embracing experimentation and the unpredictable “magic” of printmaking to create works

See how Rauschenberg’s newspaper and magazine transfers blur drawing and print, revealing hidden dates and sources that can be traced through tiny fragments of text embedded in the work. Transcript: One of the early piec
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