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每週訪問一至二位表演藝術從業人員，從即將推出的作品出發，探討創作緣起、手法、製作過程甘苦以及一路走來的劇場歷程。 ░ 聽友來信 ☀ FaceBook ▸ 央廣華語節目粉絲團 ☀ 聽眾信箱 ▸ 17rti@rti.org.tw ☀ 郵寄地址 ▸ 台灣104237 台北市中山區北安路55號 中央廣播電臺 華語節目 ☀ 微信 WeChat ▸ rti0228856168（北安小姐姐） ☀ 收聽報告 ▸ https://www.rti.org.tw/index/content/id/28
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Signup to Generate a Pitch藝所當然 is a society podcast hosted by 吳奕蓉,Rti, with 132 episodes on record and a Required Pod Score of 80. PitchCentric scores this show on Booking Probability, Listen Score, and live audience signals refreshed every 24 hours.
吳奕蓉,Rti hosts 藝所當然, a society show with 132 episodes published.
Our AI reads these to draft pitches. Use them as grounding for a pitch that cites a real guest and a specific topic.
Episode #121
<p>在影集《絕命毒師》、《絕命律師》飾演薩爾律師的Bob Odenkirk，是以《週六夜現場》的編劇起家的。最近我剛好聽到他在《紐約時報》的專訪說到，他覺得sketch comedy是人類存在最深刻的表達方式。Sketch Comedy，有人翻喜劇小品、短篇喜劇、素描喜劇，如果你跟我的年紀差不多，我們的啟蒙應該是《連環泡》裡面的短劇，好幾個演員一起演，可能有幾分鐘或是十幾分鐘。「玖喜一生短劇制作所」推出《悲劇的誕生》，5/29-5/31在西門紅樓劇場演出，就邀請玖喜一生短劇制作所創意總監陳大任來分享。</p> <p>本集重點：</p> <p>★在Google當了10年的「碼農」，還是想回劇場。</p> <p>★人生近看遠看都是悲劇，所以要苦中作樂。</p> <p>★剛開始演員演得太認真，觀眾不知道要不要笑。</p> <p>★這次蠻任性的往自己想要的方向去走，「近年應該沒有人這樣做喜劇」。</p>
Episode #120
<p>艸雨田舞蹈劇場透過作品關注臺灣當代社會議題，繼過往的「冷漠」及「沉默暴力」主題，這次在桃園鐵玫瑰藝術節推出《遺屋》，探討「孤獨死」現象。這集節目便邀請艸雨田舞蹈劇場團長王羽靖來分享。</p> <p>本集重點：</p> <p>★艸雨田舞蹈劇場關注的議題都很硬。</p> <p>★孤獨死議題離我們並不遠。</p> <p>★《遺屋》語言不少，對表演者是個挑戰。</p> <p>★與公益團體合作的「一隅之光公益行動計畫」。</p>
Episode #119
<p >棚內人劇團很年輕，2024年成立，團長暨藝術總監陳大展除了是劇場編導、演員，還是瑜伽老師。這次他與就讀法文系的趙巧敏合作，為巧敏編導了獨角戲 《三花》，在節目中除了分享與巧敏的「陌生開發」與合作，也提及他學習瑜伽的獲得。</p> <p></p> <p >本集重點：</p> <p >★高二因緣際會接觸瑜伽，很幸運。</p> <p >★劇團的風格關鍵詞：趣味、惡趣味、魔幻寫實。</p> <p >★與演員巧敏原本完全不認識，如何陌生開發？</p> <p >★有時候身體先到了，感覺就會跟著身體出來。</p>
Episode #118
<p >第18屆新人新視野將從5月15號開始，陸續在兩廳院實驗劇場、衛武營繪景工廠以及臺中歌劇院小劇場演出，本屆三位青年創作者，繼邀請陳聖文、翠斯特之後，一個都不能少，這次是我很喜歡的舞者鄭伊涵。伊涵的獨舞作品叫《三牲有幸》，一起聽她談談三生有幸與三牲。</p> <p >本集重點：</p> <p >★坦然面對我就是筋很硬、腰很硬。</p> <p >★雞、豬、魚，對應自身的三種身分，以及身體的神聖性。</p> <p >★創作開啟得晚，小時候超怕即興。</p> <p >★「如果我能夠變得很棒，我希望這件事情是我從臺灣而出發。」</p>
Episode #117
<p >桃園鐵玫瑰藝術節其中一齣作品是慢島劇團的《南薑‧香茅‧罌粟花》，5月8號到10號在桃園展演中心展演廳演出，這次邀請導演、編劇姜富琴以及慢島劇團團長，也是這齣戲的演員王珂瑤來與我們分享這個歷時15年，首度演出全本製作的作品。</p> <p >本集重點：</p> <p >★一切的起源，是珂瑤做了一本家族食譜。</p> <p >★他們正在凋零，但是他們的故事不太有人說</p> <p >★富琴到緬北與泰北，當「聽故事的人」。</p> <p >★歷經《雲裡的女人》、《高地來的男人》，首度迎來全本製作，接下來還有《戰爭的女兒們》。</p>
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