Hosted by Max Baker Jr. · 🇺🇸 US · EN · 97 episodes
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MBJ Enterprises LLC is the umbrella brand behind our growing network of podcasts, media clips, and original content. We produce, document, and distribute stories rooted in live music history, show business, and real behind-the-scenes experiences. From archived concert memories to new digital media projects, MBJ Enterprises brings multiple creative ventures together under one banner. This is where storytelling, production, and legacy content connect and continue to grow.
Max Baker Jr. hosts MBJ Enterprises LLC, a music show with 97 episodes published.
Ticket drops used to feel like the land run. People camped. Lines formed overnight. Rules said you had to be in line, but they didn’t always say it had to be you standing there every minute. So you’d see people try creat
The day Max was released from the hospital with a new knee. Rehab starting. Exercises underway. And even with the fresh pain of surgery, Max says it still doesn’t compare to what he was living with before. That’s the par
Pimpadelic was that kind of band. Even as a spectator, you could feel the room going sideways. They were shock-rock meets rap-rock chaos, and it was so wild it made other rowdy crowds look tame. Ralph was in disbelief, a
Volume 15. By that point, Metal Bash wasn’t an experiment. It was a machine. This one was special because it was the first time bringing Metal Bash to Cain's Ballroom. Bigger room. Bigger stakes. And somehow, we crammed
Before Edgefest chaos, Tulsa and OKC were already stacked that week. August 15th and 16th — Brady Village and the Zoo Amphitheatre. Paul Rodgers and Kansas on the bill. That classic-rock lane where the crowd knows every
If you’ve worked the Zoo Amphitheatre, you know the struggle isn’t the show. It’s the load-in. Rolling cases through gravel. Fighting the layout. Dragging gear where it was never designed to go. Years of stagehands have
Two nights. Two completely different scenes. Same weekend. September 13, 2003 — Curly’s. Dropkick Murphys with Last Target and The Unseen. DCF and AEG. One of those Curly’s nights that proved you didn’t need a polished v
Two nights. Two stages. Full local scene energy. The dates matter here. Not July 24th. It was July 29th and 30th. One of those nights was at Cain's Ballroom and it was a Mad Max style build. Two stages, constant changeov
June 9, 2003 — Bricktown Event Center. The Flaming Lips. Liz Phair. Starlight Mints. That night wasn’t just a great bill. It was work. Assistant promoter rep. Managing runners. Checking in merch. Counting money. Keeping
Big Monday. August 15, 2005. That’s the kind of date that tells you everything about momentum. Not long before, The Killers were playing Bricktown Live, a 400-cap room on a weekend. Tight stage. Close crowd. The kind of
June 2003 didn’t slow down. It stacked. June 20th, River Parks in Tulsa — Third Eye Blind. Great setting, perfect summer venue energy, one of those nights that feels easy and fun. Then June 24th, 2003 — Queensrÿche and D
If you grew up going to shows in Oklahoma, you already know how much a venue can change a whole city’s music scene. Tulsa is talking about a new amphitheater on the river, with River Parks being one of the locations in t
Weird Al at the Diamond Ballroom. And if you’ve never worked a Weird Al merch table, you haven’t seen true efficiency. This was the Poodle Hat Tour era. Goofy poodles everywhere. Wild graphics. Deep catalog items. UHF DV
When people talk about big shows, they usually talk ticket sales. They don’t talk merch. Here’s a number for you. ZZ Top — two casinos — two days — almost $200,000 in merch. One merch table. Let that sink in. That wasn’t
Summer 2004 was a blur of stacked weekends and split-city decisions. July 8th, 2004 — 7Mary3 at Bricktown Live with Headroom and Pulltoy. That was the era where some names were still moving tickets, even if they were pas
This was Edgefest. Not the other downtown outdoor Evanescence show — this was the real Edgefest lineup: Evanescence Mudvayne Cold Blue October Smile Empty Soul Revis Fanzeen (Tulsa band with a British lead singer) Stacke
After the Devil’s Daughter video shoot with Shotgun Rebellion and Jesse Jane, there was one conversation that had to happen. Talking to Mom. Trying to explain: “Look… it’s not what you think.” “It was acting.” “It was a
Go back to the ‘60s and ‘70s and look at the old flyers. Santana Chicago Foghat Or: Aerosmith The J. Geils Band Ten Years After New Riders of the Purple Sage Those bills were wild. Rock. Blues. Psychedelic. Country-rock.
Twiztid & ZZ Top x2 Mid-September was a wild swing in genres. September 15th at Bricktown Live — Twiztid and Anybody Killa. Different crowd. Different energy. Juggalo scene. Paint. Chaos outside the venue before doors. T
Staind, Cold, Red Hot Chili Peppers & Snoop Dogg Shows June 2003 was a blur. June 10th, 2003 — Staind and Cold at the Bricktown Event Center. That was peak momentum. One show ends, the next one loads in. Chef catering. M
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MBJ Enterprises LLC is hosted by Max Baker Jr.. The show is categorised under music (history) and has published 97 episodes.
MBJ Enterprises LLC has published 97 episodes.
MBJ Enterprises LLC regularly covers music, history, interviews. It sits in the music category, with a history focus.
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Episodes of MBJ Enterprises LLC average 1 minutes. a focused format where a clear narrative arc and tight preparation matter most.
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