Loading…
Hosted by Stuart Wakefield · 🇺🇸 US · EN-GB · 102 episodes
Established thought leaders with verified media credentials.
With 25+ years in theatre, media, and coaching, I’ve honed the art of storytelling. Now, I’m thrilled to share that expertise with you on “Master Fiction Writing.” Whether you’re crafting memorable characters or building gripping plots, each episode is backed by examples from literary pros. Recognised as a top book coach, my mission is to help your stories shine. Ready to master the craft? Subscribe today!
Stuart Wakefield hosts Master Fiction Writing, a arts show with 102 episodes published.
Sometimes the best edit you can make to an emotional scene is to delete the sentence that explains why it was emotional. In this episode of Master Fiction Writing , I’m looking at a habit I see surprisingly often in manu
What does this story want because this character is queer? That’s the question at the heart of this special episode recorded for ProWritingAid’s Write with Pride event. Too often, queer characters are present in a story
What if the impossible is the best way to tell the truth? Speculative fiction isn’t really about dragons, spaceships, magic or dystopias. At its heart, it’s about asking one deceptively simple question: What if…? In this
In the last episode, we explored why so many argument scenes feel artificial and discovered that arguments aren’t really conversations - they’re attempts to change another human being. Now it’s time to get practical. In
Why do so many argument scenes feel strangely lifeless, even when characters are shouting, interrupting each other, and making excellent points? Because conflict isn’t about disagreement. It’s about change. In this episo
What actually makes a thriller a thriller? It isn’t just murder, spies, guns, plot twists, or car chases. In this episode of Master Fiction Writing, we take a deep dive into the thriller genre as a pressure system: susta
Does every protagonist really need to change by the end of a story? Not always. In this episode, we look beyond the familiar “your character must change” advice and explore positive arcs, negative arcs, steadfast charact
Do your characters keep feeling sad, furious, lonely, ashamed, or devastated on the page... but the reader still isn’t feeling much? In this episode of Master Fiction Writing , we’re looking at the difference between exp
In this episode of Master Fiction Writing , we untangle one of the most confusing pieces of fiction craft: third-person point of view. Because “write it in third person” sounds simple enough until you realise third perso
In this episode of Master Fiction Writing , we explore one of the most quietly intimidating parts of writing fiction: creating characters when you’re afraid of getting them wrong. Inspired by a listener question, this ep
Should you cut words like saw , felt , heard , realised , and remembered from your fiction? Often, yes. Always? Not even slightly. In this episode of Master Fiction Writing , Stuart breaks down why so-called filter words
Need a gentler kind of story without sacrificing plot? In this episode, I’m diving into the craft of cozy and feel-good fiction and unpacking how to write low-stakes stories that still have tension, momentum, and emotion
What makes a female character feel dangerously compelling rather than flat, clichéd, or simply “unlikeable”? In this episode, Stuart explores how to write wicked women with complexity, power, and emotional truth. From vi
Writers are surrounded by bad advice masquerading as wisdom. In this episode, we take six of the most persistent fiction-writing myths and throw them politely but firmly in the bin. From talent and inspiration to first d
Why does tightening a draft so often feel slow, frustrating, and weirdly inconclusive? Usually because writers start at the sentence level instead of the structural one. In this episode, Stuart shares a faster, smarter w
If your scenes keep slipping into “and then… and then… and then…”, this episode is for you. In this episode, Stuart breaks down one of the simplest ways to create stronger cause-and-effect on the page: scene turns. You’l
In this episode, we tackle one of the biggest hidden causes of reader disengagement: unstable point of view. The problem usually is not whether you chose first person, third person, or multiple POVs. It is whether the st
If your character’s “need” sounds like a motivational poster, readers won’t feel it in scene. In this episode of Master Fiction Writing, Stuart Wakefield breaks want vs need out of the self-help zone and turns it into a
Big events don’t create story. Binding does. In this practical follow-up to “The Art of a Story Premise That Actually Drives Scenes,” Stuart Wakefield reframes the inciting incident as the moment your protagonist becomes
The difference between an “interesting” idea and a story that actually moves? Your premise. In this episode, I'll break down why so many drafts end up with “optional chapters” - scenes that could be shuffled, skipped, or
Sponsor detection runs nightly. Check back soon.
No public pitch examples yet for this show.
Generate your own personalised pitchBased on semantic analysis of episode topics and host coverage, this show is a strong guest fit for executives in:
Industry fit is computed by PitchCentric using vector embeddings of the show's episode catalog.
Shows with the most semantically similar episode content. Pitch one, pitch all; producers cluster.
Master Fiction Writing has a verified contact on file. Create a free PitchCentric account to access it and generate a personalised pitch in seconds. Research at least 3 recent episodes first and lead with a specific angle that serves their arts audience.
Master Fiction Writing is hosted by Stuart Wakefield. The show is categorised under arts (books) and has published 102 episodes.
Master Fiction Writing has published 102 episodes.
Master Fiction Writing regularly covers arts, books. It sits in the arts category, with a books focus.
Master Fiction Writing is accessible for guests with genuine arts expertise. A personalised, episode-aware pitch will still outperform a generic one every time.
Master Fiction Writing hasn't explicitly signalled guest openness in recent episodes. That doesn't rule out pitching. your hook just needs to be especially compelling and relevant to their recent content.
Episodes of Master Fiction Writing average 23 minutes. a focused format where a clear narrative arc and tight preparation matter most.
Our data rates Master Fiction Writing's guest bar at 80/100 (Premium tier). Established thought leaders with verified media credentials. Sign in to PitchCentric to see how your own Pod Score compares against this show.
Methodology. Booking Probability™ blends Listen Score, 30-day Virality, open-to-guests detection, and Apple ratings. Data refreshed every 60 minutes. Listen Score and Booking Probability are calculated by PitchCentric. Last enriched today.