
Boards of Canada have created some of electronic music’s most distinctive and strangely familiar sounds: music that seems to evoke memories you’re not quite sure you ever had. We explore their mysterious world of faded...


Low Noise is a weekly podcast, which provides a (fairly) in-depth analysis of popular music and culture in (approximately) fifteen minutes. These episodes have been recorded ‘on the spot’ using the Low Noise Mobile Recording Studio (my iPad) at various locations throughout the UK. All broadcasts are recorded with passion, enthusiasm and substance. Low noise - high output. Thank you for listening!
Required Pod Score for this podcast. PitchCentric checks your profile against host openness, topical fit, and audience signals before you generate a pitch.
Contact path
Verified email
Booking probability
36%
Guest openness
Selective
Sign up to generate a grounded pitch for Low-Noise.
Signup to Generate a PitchLow Noise is a weekly podcast, which provides a (fairly) in-depth analysis of popular music and culture in (approximately) fifteen minutes. These episodes have been recorded ‘on the spot’ using the Low Noise Mobile Recording Studio (my iPad) at various locations throughout the UK. All broadcasts are recorded with passion, enthusiasm and substance. Low noise - high output.
Low-Noise is hosted by Low Noise. The show has published 196 episodes to date.
Recent episodes include "Boards of Canada: Why Does Their Music Feel Like a Memory?" (5 October 2026, 24 minutes), "AI in Music: Threat, Tool or the Next Evolution?" (28 September 2026, 22 minutes), and "David Crosby | One Voice, Several Lives" (21 September 2026, 23 minutes).
Low-Noise publishes roughly weekly, with episodes averaging 24 minutes across 196 episodes.
Booking probability for Low-Noise is 36%, and the host is rated Selective on guests. Low-Noise requires a Pod Score of 80 or higher. Low-Noise's contact route on record: verified email.
The strongest fits for Low-Noise are Music & Recording. Low-Noise has a music audience.
Low Noise hosts Low-Noise, a music podcast with 196 episodes published.
Our AI reads these to draft pitches. Use them as grounding for a pitch that cites a real guest and a specific topic.

Boards of Canada have created some of electronic music’s most distinctive and strangely familiar sounds: music that seems to evoke memories you’re not quite sure you ever had. We explore their mysterious world of faded...

Artificial intelligence is suddenly everywhere in music: writing songs, generating voices, creating performances and raising uncomfortable questions about creativity, ownership and what it means to be an artist.But is...

Episode #36
David Crosby is one of those musicians whose life story can sometimes obscure his music.The Byrds. Crosby, Stills & Nash. Laurel Canyon. Drugs, prison, fallouts, extraordinary excess and, eventually, an equally...

What makes The War on Drugs sound so familiar, yet so completely their own? Drawing on the widescreen sweep of classic American rock, Adam Granduciel and his band transform guitars, synthesisers and repetition into...

Can an album be nostalgic for a future that never arrived? When Donald Fagen released The Nightfly in 1982, it sounded unlike anything else. Immaculately produced, filled with jazz sophistication and lyrical detail, it...

Episode #33
Can music change the atmosphere of a room without demanding your attention? Few bands have occupied that strange, beautiful space quite like The Durutti Column. Often associated with Factory Records, post-punk and...

How did Hotel California become one of the defining albums of the 1970s? Released in 1976, Hotel California found the Eagles at a remarkable creative peak. Beautifully produced and meticulously arranged, it combines...

What does In Another World reveal about one of the most intriguing bands of the last forty years? In this episode of Low Noise, we discuss Graeme Thomson’s In Another World: The Four Seasons of Talk Talk, a book that...

What does it mean to be remembered—not loudly, not dramatically—but in a way that quietly refuses to fade? Forget Me Nots is a song by American R&B musician Patrice Rushen, released in 1982 by Elektra Records as the...

What does it sound like when a musician commits fully to a moment that won’t come again? The Köln Concert is a live solo double album by pianist Keith Jarrett recorded at the Opera House in Köln, West Germany, on 24...

Episode #28
What happens when electronic music chooses restraint over excess, when it speaks softly, but still leaves a mark? Orchestral Manoeuvres in the Dark, often shortened to OMD, formed in Merseyside in 1978 by Andy McCluskey...

What happens when punk stops trying to shock and starts trying to haunt? In this episode, we revisit The Scream, the extraordinary debut album by Siouxsie & the Banshees. Nearly fifty years on, it still feels unlike...

The Set Up is the 6th album by The Delines, the American group formed in the early 2010s. Known for their understated arrangements and deeply human storytelling, the band blends elements of soul, country, and Americana...

What happens when one of the greatest voices in popular music takes to the stage at the age of 85? In this episode, I look back on an unforgettable evening at the Royal Albert Hall, where I had the privilege of seeing...

Did one hit hide a truly remarkable band? For many people, Quantum Jump begin and end with The Lone Ranger—a quirky hit that briefly lit up the charts in the late 1970s. But behind that unlikely success was a group of...

Furniture were one of the most distinctive British bands of the 1980s, combining literate songwriting, sophisticated arrangements and an unmistakable sense of style. Despite critical acclaim and a loyal following...

Was Green Gartside Pop's Great Outsider? In this episode of Low Noise, we explore the remarkable story of Scritti Politti and their elusive frontman Green Gartside. Emerging from the politically charged post-punk scene...

What makes a performance become more than just a concert? In August 1969, as the Woodstock festival drew to a close, Jimi Hendrix stepped onto the stage in front of a much smaller crowd than the one that had gathered...

This week I went to see Rickie Lee Jones at the Barbican in London. It wasn’t a concert in the usual sense. It felt more like being invited into somebody’s world for a couple of hours, a world built from jazz clubs...

Why does Getting Away With It still sound so impossibly sophisticated? In this episode of Low Noise, we explore the debut single by Electronic, the collaboration between Bernard Sumner, Johnny Marr (and Neil Tennant)...
Recent guests on Low-Noise. Study who booked and why before you pitch.
PitchCentric classifies Low-Noise under these industries. Guests from them are the closest fit, and each links to the best podcasts in that industry.
Shows with the most semantically similar episode content. Pitch one, pitch all; producers cluster.
Guides and articles for guests pitching shows like this one.
Is this podcast yours and you'd like to remove or correct details? Request removal or email privacy@pitchcentric.com.
Questions about the free trial? See the pricing FAQ