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Hosted by Unknown Host · 🇺🇸 US · EN-US · 716 episodes
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The Adam Glass and John Patrick Owatari-Dorgan, attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection and talk about them. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion
Unknown Host hosts Lost in Criterion, a tv show with 716 episodes published.
We get Harold Lloyd's classic silent college movie The Freshman and a handful of shorts on this week's episode. Sam Taylor and Fred Newmeyer direct the feature, among the most popular silent comedies in history for good
Paolo Sorrentino's 2013 film The Great Beauty is in line with many an Italian film we've seen, a story of a middle aged man having an existential crisis. Like many a Fellini film, this crisis is also a crisis of art, a c
Given the rate of Bergman releases in the Criterion Collection it surprised us to realize that we haven't seen a film from the man in nearly two years. And what a surprising Bergman to come back to. Persona (1966) seems
Spine 700, can you believe it? We've been doing this for a long time. Criterion rewards our dedication with an overly full release of Wes Anderson's adaptation of Roald Dahl's Fantastic Mr. Fox (2009). Mark Gustafson is
Every documentary the Criterion Collection shows us leads to a discussion on what documentaries are, what they can do, and what their relationship to truth can and should be. Inevitably as well the supplements to a Crite
Stephen Soderberg's third movie is the marquee release this week, King of the Hill (1993), an adaptation of A.E. Hotchner's memoir of being poor in Depression-era St. Louis. Also slid in here is Soderberg's fourth movie,
Oh boy, another Roman Polanski film. Tess (1979) is Polanski's adaptation of Thomas Hardy's 1890's novel Tess of the d'Urbervilles. The film is well acted and well shot and we'd love to just talk about that but all the b
Alfred Hitchcock's pre-war spy thrillers are interesting because on the one hand they're romps and on the other hand they're designed to subtly push the British public against Germany in a time when the film cannot openl
Abdellatif Kechiche's adaptation of Jul Maroh's Blue is the Warmest Color (2013) offers us a lot to talk about, but Criterion's release offers no additional content to frame our conversation, which is extra weird conside
According to director Terence Davies, he wasn't interested in presenting what happens chronologically next in a film, but emotionally what's next. As such The Long Day Closes (1992) is a stream-of-consciousness coming-of
We fell in love with Aki Kaurismäki when we first watched Le Havre (2011, Spine 619), and are very excited to talk about the original film in which André Wilms plays Marcel Marx, another tale of immigrant rights but this
Stanley Kramer's It's a Mad, Mad, Mad, Mad World (1963) is a very fun movie and an overstuffed Criterion release. But perhaps a comedy of such epic proportions (and aspect ratios) needs an epically sized release.
Having finished the World Cinema boxset, we had resigned ourselves that we would have to go back to doing some acrobatics to read Marxism into the films for awhile again, but little did we expect that Michael Mann's Thie
The first World Cinema Boxset draws to a close with Kim Ki-young's The Housemaid (1960), a film whose influence you can clearly see in many modern South Korean directors' work, from Bong Joon-ho to Park Chan-wook. A sort
This week the World Cinema Project boxset changes pace a bit with Trances, Ahmed El Maanouni's 1981 documentary on Moroccan avant-garde band Nass El Ghiwane. But it doesn't change pace too much, as this Nass El Ghiwane's
It's becoming increasingly obvious that the World Cinema Project is Martin Scorsese's plot to smuggle openly Marxist films into the Criterion Collection, and Metin Erksan's Dry Summer (1963) continues the trend. Erksan i
Halfway through the World Cinema Project Vol. 1 boxset and the hits keep coming. This week it's all about the trauma of separation: familial and economic, but also in light of the Partition of India and Bangladeshi indep
We continue through the World Cinema Project Vol 1 boxset with a 1936 film from Mexico, though with a rather international production crew, that presages Italian neorealism probably. Redes is among the more openly Marxis
This week we start the first Martin Scorcese's World Cinema Project boxset, a growing sub-collection - currently at 5 volumes - containing films from regions under-represented from the broader Criterion Collection. Or un
Whew there's a lot to talk about this week: a Robert Altman film with two dozen characters all worth spending time with, interviews with the director across three decades that appear to show a man slowly more willing to
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Lost in Criterion is hosted by Unknown Host. The show is categorised under tv (film) and has published 716 episodes.
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