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The Adam Glass and John Patrick Owatari-Dorgan, attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection and talk about them. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion
Unknown Host hosts Lost in Criterion, a tv show with 705 episodes published.
Alfred Hitchcock's pre-war spy thrillers are interesting because on the one hand they're romps and on the other hand they're designed to subtly push the British public against Germany in a time when the film cannot openl
Abdellatif Kechiche's adaptation of Jul Maroh's Blue is the Warmest Color (2013) offers us a lot to talk about, but Criterion's release offers no additional content to frame our conversation, which is extra weird conside
According to director Terence Davies, he wasn't interested in presenting what happens chronologically next in a film, but emotionally what's next. As such The Long Day Closes (1992) is a stream-of-consciousness coming-of
We fell in love with Aki Kaurismäki when we first watched Le Havre (2011, Spine 619), and are very excited to talk about the original film in which André Wilms plays Marcel Marx, another tale of immigrant rights but this
Stanley Kramer's It's a Mad, Mad, Mad, Mad World (1963) is a very fun movie and an overstuffed Criterion release. But perhaps a comedy of such epic proportions (and aspect ratios) needs an epically sized release.
Having finished the World Cinema boxset, we had resigned ourselves that we would have to go back to doing some acrobatics to read Marxism into the films for awhile again, but little did we expect that Michael Mann's Thie
The first World Cinema Boxset draws to a close with Kim Ki-young's The Housemaid (1960), a film whose influence you can clearly see in many modern South Korean directors' work, from Bong Joon-ho to Park Chan-wook. A sort
This week the World Cinema Project boxset changes pace a bit with Trances, Ahmed El Maanouni's 1981 documentary on Moroccan avant-garde band Nass El Ghiwane. But it doesn't change pace too much, as this Nass El Ghiwane's
It's becoming increasingly obvious that the World Cinema Project is Martin Scorsese's plot to smuggle openly Marxist films into the Criterion Collection, and Metin Erksan's Dry Summer (1963) continues the trend. Erksan i
Halfway through the World Cinema Project Vol. 1 boxset and the hits keep coming. This week it's all about the trauma of separation: familial and economic, but also in light of the Partition of India and Bangladeshi indep
We continue through the World Cinema Project Vol 1 boxset with a 1936 film from Mexico, though with a rather international production crew, that presages Italian neorealism probably. Redes is among the more openly Marxis
This week we start the first Martin Scorcese's World Cinema Project boxset, a growing sub-collection - currently at 5 volumes - containing films from regions under-represented from the broader Criterion Collection. Or un
Whew there's a lot to talk about this week: a Robert Altman film with two dozen characters all worth spending time with, interviews with the director across three decades that appear to show a man slowly more willing to
What if all the people in charge were actually criminals, but so insulated by power that no amount of clear evidence could lead to them being investigated? Crazy right? Investigation of a Citizen Above Suspicion (1970) i
Greta Gerwig's writing and acting in the titular role go a long way to make us like our second Noah Baumbach film much more than our first. While Kicking and Screaming (Spine 329) was a little too Whit Stillman for us -
Charlie Chaplin's first movie with synced sound (as opposed to his first film to feature onscreen dialogue) is the great silent film star saying no thank you to the concept of synced sound. City Lights is a great first s
We say goodbye to the Zatoichi the Blind Swordsman Boxet with film #25: Zatoichi's Conspiracy (Kimiyoshi Yasuda, 1973), and we end with neither a highlight or lowlight, but a solidly middling entry. It doesn't help that
Our penultimate Zatoichi episode brings us one that is possibly the best Zatoichi movie, one that is not quite the most middling of the middle ones, and one that is quite probably the most infuriating movie the Criterion
Our itinerant samurai expert Donovan H. joins us for this set of three Zatoichi films, giving us some insight into Ichi's sword fighting style and what some of the movies we won't be watching say about Ichi's blindness.
It's week six our wandering journey through the Zatoichi the Blind Swordsman boxset and we get some of our favorites of the bunch. Zatoichi the Outlaw (Satsuo Yamamoto, 1967) is perhaps the most politically interesting o
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Lost in Criterion is hosted by Unknown Host. The show is categorised under tv (film) and has published 705 episodes.
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