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Hosted by Filmmaking Interviews with Alan McIntyre · tv · EN-US
Interviews with filmmakers, cinematographers, and all types of film workers, focusing on what it takes to make a movie or TV show.
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Contact path
Public web form
Booking probability
28%
Guest openness
Selective
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Signup to Generate a PitchInterviews with filmmakers, cinematographers, and all types of film workers, focusing on what it takes to make a movie or TV show.
Recent episodes include "HOW I SHOOT 013: Producer/Writer/Director/DP/Editor Ballard C. Boyd teaches us how to shoot" (5 July 2026, 58 minutes), "HOW I SHOOT 012: Aaron Strand and Emily Marquet discuss their film WITHDRAWAL" (1 July 2026, 64 minutes), and "HOW I SHOOT 011: Filmmaker/DP Cameron S. Mitchell" (15 June 2026, 71 minutes).
How I Shoot publishes roughly every two weeks, with episodes averaging 63 minutes across 13 episodes.
Booking probability for How I Shoot is 28%, and the host is rated Selective on guests. How I Shoot requires a Pod Score of 80 or higher. How I Shoot's contact route on record: public web form.
The strongest fits for How I Shoot are Film & Video. How I Shoot has a tv audience.
How I Shoot is a tv podcast with 13 episodes published.
Our AI reads these to draft pitches. Use them as grounding for a pitch that cites a real guest and a specific topic.
Episode #13
I saw Ballard C. Boyd’s hilarious short, NIGHT SESSION, well into its festival run at the Iron Mule Film Festival. I won’t say anything about it for fear of spoiling the fun, so you should watch the Omeleto YouTube...
WITHDRAWAL is a love story with a side of codependence and drug addiction set in Athens, Georgia. Director Aaron Strand and cinematographer Emily Marquet met with me to detail how the project came to fruition...
<p>Filmmaker Cameron S. Mitchell is currently touring film festivals with his Slamdance Award-Winning feature documentary, Disposable Humanity, which uncovers the hidden legacy of the Nazi program to use disabled people...
Episode #10
<p>Manjari Sharma is a filmmaker based in Bombay and London who writes the Substack New Age Directors: https://manjarisharma.substack.com/In this conversation, we discuss modern shooting formats, AI in filmmaking, the...
Episode #9
<p>Nathan Tape is finishing up his second feature film as writer/director after building up a career in lighting and cinematography in the New Orleans film market. In this wide-ranging conversation we discuss shooting...
<p>Amelia Wyeth Ponirakis is a filmmaker currently based in Syracuse, NY. She makes experimental films and has worked as a production assistant on films and served as a teleprompter and camera operator for live...
<p><br>Elliot Lobell makes stop-motion short films in between working day jobs as an animator, fabricator and motion graphics designer. </p><p>His latest film, EDWARD, recently premiered at the Coney Island Film...
<p>Alan McIntyre speaks with Amanda Sweikow, an L.A.-based filmmaker who has won awards for many of her short films, including "That's Not My Mother," which we discuss in this episode, as well as her plans for an...
<p>Jake Weisman is a filmmaker, microcinema entrepreneur, and the author of the Substack newsletter filmjourn. </p><p>To celebrate 4/20, Jake is sharing his first feature film to all subscribers - Scrapers - a comedy...
<p>Joshua Caldwell likes to direct with a camera in his hands, knowing how the lens is going to affect performance and get the moment he needs. Caldwell speaks with Alan McIntyre about his collaborative planning process...
<p>Alan McIntyre speaks with screenwriter Lauren Greenwood about the trials and tribulations of running a crowdfunding campaign for her upcoming directorial debut, Swathe. </p><p>They discuss Lauren's experience as a...
Episode #2
<p>Dorian Celestain has helped shape the lighting and look of movies and TV series such as Netflix's BOOTS, Ava DuVernay's QUEEN SUGAR, and Peacock's 2022 reboot of QUEER AS FOLK. I worked with Dorian on the film...
<p>Alan McIntyre speaks with New Orleans-based writer/director/script supervisor David Bush about starting out in the film business, how he gets jobs, how he balances work how he parlayed early connections into paid...
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