GEES Project Podcast

<p>Profs. Matt Kavaler and Deanne Williams talk with John Edwards about the paintings of the Master of the Female Half-lengths and their shared context with Anne Boleyn's songbook. We hear the Basse Danse La Magdalena...

<p>The Rev. Dr Lisa Wang speaks to John Edwards about the adoration of the Virgin Mary and the Song of Solomon in the context of the Anne Boleyn Songbook. We hear Sicut Lilium by Antoine Brumel sung by The Musicians In...

<p>John Edwards talks to Prof. Deanne Williams about performance practice questions thrown up by the Anne Boleyn Songbook. We hear Alma Redemptoris Mater composed by Jacob Obrecht performed by Julia Morson, sop. Whitney...

<p>Prof. Deanne Williams talks to John Edwards about Anne Boleyn's Songbook. We hear the anonymous Gabrielem Archangelum sung by Julia Morson, Whitney O'Hearn and Hallie Fishel.</p> <p>This episode was originally...

<p>Director Heather Davies and theorbo player and music director John Edwards chat about the music in John Milton's masque Comus and especially about the dance music of masques in general, and the dances of William...

<p>Director Heather Davies and theorbo player and music director John Edwards chat about the music in John Milton's masque Comus and especially about the original songs by Henry Lawes.</p> <p>Visit...

<p>Director Heather Davies discusses the special challenges of the masque form, Milton’s verse and the rehearsal process in the time of covid with John Edwards.</p> <p>Visit https://musiciansinordinary.ca/episodes to...

<p>Deanne Williams is professor in English at York University, a Fellow of the Centre for Renaissance and Reformation Studies and a member of the College of New Scholars, Artists, and Scientists of the Royal Society of...

<p>John Milton's Comus (Bridgewater manuscript version), with the original songs set by Henry Lawes and dance music by William Lawes, directed by Heather Davies, performed by Roger Honeywell - Attendant Spirit, Paul...

<p>John Milton's Comus (Bridgewater manuscript version), with the original songs set by Henry Lawes and dance music by William Lawes, directed by Heather Davies, performed by Roger Honeywell - Attendant Spirit, Paul...

<p>George Torres, Prof. in Music at Lafayette College, Deanne Williams, Prof. in English at York University, and John Edwards discuss correspondences between lute instruction manuals and manuals on civility from 16th...

<p>Prof. Deanne Williams, author of Shakespeare and the Performance of Girlhood, discusses the Stuart masque, its meaning and its participants. From Margaret Board's Lutebook we hear lute arrangements of The Antiq...

<p>Prof. Tom Bishop (Univ. of Auckland) talks to John Edwards about plays, theatres, playgoers and pieces in Margaret Board's Lutebook she’d need to know to get all the references in the plays of Jacobean London. From...

<p>Margaret Board was born in 1600, the daughter of a rich merchant, and had Europe's leading lutenist, John Dowland, as a teacher. Her book of lute pieces, notated in tablature in her hand and that of her teacher, is a...

<p>This is the first of two episodes about the GEES Project's film of The Concealed Fancies (which you can find on YouTube or by clicking a link at geesproject.com), a play written by Jane Cavendish and Elizabeth...