
Gangland Wire
From Albert Anastasia to Joe Colombo: Joey Gallo’s Deadly Mob War
If you want to listen on the website click the below link. I’m trying something different. Let me know at ganglandwire.com if this is an inconvenience and you want to listen on the website player.   Click here to listen to today’s podcast “ Inside the Violent World of Joey Gallo .” In this replay, as a tribute to Camillius “Cam” Robinson, Retired Kansas City Police Intelligence Unit detective Gary Jenkins, and co-host Cam dive deep into the wild life and violent death of one of the Mafia’s most unpredictable figures—Crazy Joey Gallo. From Brooklyn’s Red Hook streets to the bloody wars of the Colombo crime family, Joey Gallo built a reputation as a fearless outlaw who challenged Mafia bosses, embraced celebrity culture, and became a folk hero to outsiders and artists alike. Gary and Cam explore Gallo’s transformation from street gangster to media sensation, his fascination with philosophy and existentialism, and his notorious appearances before the McClellan Committee wearing dark sunglasses and mocking authority. The episode examines the Gallo crew’s role in the assassination of Mafia boss Albert Anastasia inside the Park Sheraton barber shop, including insider accounts from Pete “The Greek” Diapoulas and theories involving Carmine Persico and the Patriarca family. Gary and Cam break down how the Gallos evolved into a rogue faction willing to kidnap capos, challenge Joe Profaci, and wage war against the Colombo family itself. The conversation also explores Joey Gallo’s prison years, his relationship with Harlem heroin kingpin Nicky Barnes, and the intellectual awakening that shaped his later persona. The hosts discuss Gallo’s ties to New York celebrities, including Jerry Orbach, Pete Falk, Ben Gazzara, and Neil Simon, along with the cultural impact that inspired Bob Dylan’s famous song “Joey.” Gary and Cam revisit the unsolved shooting of Joe Colombo at the Italian-American Civil Rights League rally and examine competing theories involving Jerome Johnson, the Gambino family, and the Gallos themselves. They also unpack the dramatic final hours of Joey Gallo’s life at Umberto’s Clam House in Little Italy, where Colombo gunmen allegedly tracked him down during his birthday celebration and opened fire in one of the Mafia’s most legendary assassinations. Using firsthand accounts, old newspaper reports, and mob insider testimony, this episode paints a vivid portrait of Joey Gallo’s rise, wars, betrayals, and enduring legend in organized crime history. To get Cam’s book click here Chicago Swan Song: A Mob Wife’s Story Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here. To purchase one of my books, click here .   . But let’s start out talking a little bit about Joey Gallo. Crazy Joey. Joey the blonde. He had blonde chest hair. Yeah. [2:59] That’s uh that’s rare among us uh italian i don’t fall into that category i can tell you he must have been a northern must have some northern italian somebody from up there around florence or something or right. [3:16] But you know he was a unique guy uh he was truly in in the mob world he was unique he He was crazy, and I believe later on he was diagnosed. I had some probably prison psychologist being mentally ill, whatever that was exactly. Do you remember what that was? Schizoid tendencies or something. You see that a lot. You see that a lot with the mob guys, though, so it’s hard to know if that was a real diagnosis or another I’m putting on. You see, I can name four or five guys who, when they were in prison. And, you know, I guess they’re all sociopaths, but you see a lot of them when they’re trying to get out of the service or trying not to go to the military. And they flunked the test with flying colors. And I’m sure most of them earned it. But it does seem to be a preponderance of guys who don’t do well on those psychiatric exams. But I think Joey earned his the natural way. Yeah. Of course, he was a young mobster. Came out of Red Hook. but a little later in his life where he got so famous and so well-known, before we go back into his early life, his last stint in the penitentiary, he had some kind of awakening, I would say. [4:35] He had a pretty good bit to do. He did about 10 years in prison, and in 10 years, you can either go down the pits or you can improve yourself. I know a lot of guys I’ve known and a lot of people out here, former mobsters that I talked to today, have done that and they’ve tried to improve themselves and lead a different life. Now, he didn’t ever want to lead a different life other than the mobster’s life. But when he was a penitentiary, my research led me to believe that he read and read and read a lot. He even learned the Evelyn Wood speed reading technique, which a lot of you younger guys won’t know that. It was a famous speed reading technique. I don’t remember exactly how it worked, but, uh, you know, and, and we came out, he, he picked up on popular culture when he came out. [5:31] And during the sixties and seventies, when everybody else was even in with the young guys started growing long hair and beards, he, he would, uh, he would say something and get rid of that shit. Don’t look like a hippie. Well, they almost killed one guy. Probably they did kill him. And some of the things they were saying was they didn’t trust anymore. Now that he became a fucking hippie. So, but he, when he came out, he got on the popular culture. He was dressing the part of a New York hipster in the 1950s and 60s. He was a classic movie gangster. He’d have like a dark shirt and a white tie and a pinstripe suit. And, you know, when he went before that infamous scene when he got called before the McClellan, he said, oh, this would be a good carpet to shoot dice on. He remarks in this book that they wanted a gangster, so he was going to give them a gangster. I mean, that entire thing was an act. I mean, he knew the gangster that people wanted. And in different crowds, he could mold himself to whatever the crowds wanted. [6:35] He knew how to read a room. yeah it was and that’s the one where he wore the sunglasses inside right right that was that was like a bombshell among the conservative law enforcement people today where he didn’t have the respect for that uh commission to even take his senate sunglasses off so he was he was something else he and he got to know uh because of this he’s in new york he’s in manhattan he gets to know sophisticated New Yorkers. And, and I just heard a saying from somebody, uh, I told this guy, uh, guy, uh, Springfield, Massachusetts mobster named Chickie kitchen. [7:13] Chickatelli, who is, he’s connected with John Gotti Jr. Right now there, there’s something coming up in the media that he’s a part of and Gotti Jr. Is going to do, I don’t know what, but, but he made a statement. He said, everybody wants the bandit to get away. And I remember smoking the bandit. We all pulled for the bandit to get away and and and he said that about mob guys and and the popularity of mob guys today and he said everybody likes the bandit to get away and i said man i’m going to use that he said well it’s not really mine he said i got it from gotty jr so i don’t know but but we all like the bandit to get away and and so that that’s what happened with joey gallo everybody likes the bandit to get away they don’t want to be the bandit and and they don’t want to have too much attention paid to him by the bandit but they want him to get away and and he got to know people like ben gazar and peter faulk uh in new york who were kind of a you know kind of a rounder kind of guys if i remember right and uh the playwright neil simon and and people like that he’s a modern reference you’ve got jerry orback who was on law and order for so long who played the uh the detective on law and order that was a jerry mara orback yeah yeah matter of fact he was in the restaurant or Bach and his wife were in the restaurant. [8:28] Just when he got killed or did they see him oh they saw him at the copacabana just right before and invited him to come eat with him and he didn’t come which i bet orbach’s glad he didn’t go eat with with the gallo that night so you know another thing is there’s a famous book by uh if you’re of a certain age you’ll remember this book by new york columnist jimmy breslin uh the gang that couldn’t shoot straight it was about the gallows and their war their first war with the persicos, and then the Columbo family. [9:01] And they say that Coppola used some of those situations and incidents that Breslin talked about, and that really happened during that mob war. The saying, going to the mattresses, that came out of that book, Jimmy Breslin. And then these guys, they’d rent an apartment and throw mattresses down, and they’d all hang out and hide out there until they went out to do battle with some of the opposing, killed one of the opposing uh uh family members that that they were in a war with so but cam found this uh a book it was a first person account from a greek associate of the gallo crew and his name was Peter Diapolous would you say that was a way to say that Diapolous yeah Pete the Greek Diapolous yeah Pete the Greek uh so it was uh when was that published it was published back in it was 73, 72 or 73 I mean because they put it out right after right after Gallo it would have been right after Gallo I’ve got a first edition here let me see it’s. [10:04] 76 so yeah it was right after he let a little bit of time die out and he wrote it this Steve Linakis who wrote it with him is also a Greek who wrote for the New York Times and they while they were writing it they spoke a lot of Greek together their Diapolous would only write it with a greek uh writer now what’s interesting is the title is the sixth family and you know is that you think that’s because the gallo brothers they had such a big and they did have a big crew. [10:34] I looked it up and I found like 10 or 15 names of the Gallo crew. You never know exactly who’s part of the crew and who isn’t, but did they want to become the sixth family, make the Gallo family? Is that why it’s called that the sixth family? I think so. I think, I think if you look at, you could compare them to the Spheros in a way. I think they thought that they had in their minds, they could take over. I mean, you got during the first Persico war. I mean, you’ve got the Gallos kidnapping all the leadership of, of, of the persico family and and old man persico checked himself into a hospital in uh florida to avoid anything happening to him down there but they got the underboss and a couple of high-ranking capos a consulary i mean it was these guys meant business and they’re just they’re just some kids so uh they were they were all they were a lot of them made guys because they killed uh Anastasia uh gallo uh joey and his brother larry were both made guys the younger brother albert was not but you know i think that they they had it in their minds that because they had a large crew yeah they could they could legitimize themselves and have the uh the gallo family they they ran their street they like you said a lot of guys under them so interesting now his parents umberto and mary gallo were from Italy, I believe. And his father was a Prohibition era bootlegger like many other immigrants. [11:59] Here’s one story I heard about Joey Gallo, which has kind of resonated with me, those of us of a certain age. There’s a movie that came out in 1949 called The Kiss of Death. And I’ve seen these clips. Richard Widmark plays a gangster character that was the, he was the epitome of a gangster in the 50s. His name was Tommy Udo, U-D-O. And he had this accent, the way he would talk, and it said that Gallo liked to talk like this. He kind of mimicked that guy. So check this clip out of Tommy Udo talking. Double-crossing squealers, buddy. What’s the matter? I don’t know nothing. So the yellow squirt beat it, huh? Took apart it, huh? That rat. Where is Where’d he go? I’m asking you Where’s that squealing son of yours? [13:03] You think a squealer can get away from me? You know what I do to squeeze? I let him have it in the belly. So that sounds like a real gangster, doesn’t it? That is what you think of. I remember that movie from years ago. And yeah, that’s what you think of when you think of gangster talk. [13:28] So, oh, I see now. I look back at my notes. It was when Gallo had a charge pending around this time, 4950, He was diagnosed with mental illness in the Kings County Hospital Center in Brooklyn. They thought he had schizophrenia and claimed that the cops first started calling him Crazy Joy, which makes sense. A lot of cops would maybe have access to that report. [13:54] This guy that wrote this book, Peter Diapolis, remember how he first met Crazy Joy? He grew up with them on the street, if I recall correctly. The Greek was one of the few non-Italians at Red Hook, if I’m remembering correctly. And he knew them from the time they were kids. A lot of people didn’t realize that he was, like you said, he was with Gallo when he was assassinated. But people didn’t realize that the Greek was with them going way on back when they went to the mattresses with the Persicos and everything. And he references that a lot in his book. But the Greek had been with them for years back when Larry Gallo, the oldest brother, was running the crew. He was loyal to Larry Gallo. And then when when Larry, Larry died of cancer while Joey was doing his his bit in prison, Joey comes out of prison and takes over the crew from the youngest brother, Albert Kidblast. And Joey runs the crew until he dies. But the Greek was a steady figure for years, grew up more or less with them. [15:02] So pete degree talks about the murder of albert anastasia and kind of gives an insider view of that now there’s always you know there’s there’s a couple of different stories about who actually killed albert anastasia and if you don’t know that murder this is the murder albert anastasia had his own family he was called the the mad hatter uh or the what was the other nickname he had uh the executioner the executioner he he was one bad dude one crazy dude and uh he was uh he was really uh what i remember about the situation he was exerting his muscle trying to push around some of the other mobsters trying to move in on some lansky stuff down in cuba trying to expand his. [15:51] Uh domain shall we say and uh joe Profaci didn’t like that and profaci was an old school mobster and he got together with vito Genovese is is the story and uh gambino was his under what, scalise was was uh Anastasia’s underboss he was murdered and then Carlo Gambino became anastasia’s uh second underboss so this is really the development of the Manhattan shall we say new york city mafia families in the 50s so uh Profaci had he had taken the gallo brothers and as a crew under his crime family he was immensely successful but he was also notoriously tight and he wouldn’t pay anybody anything and wouldn’t get and try to get everything for himself but gallo was trying to you know he was trying to rise in that world and uh beat the Greek claim that they took on the contract to kill Albert Anastasia, which was a pretty bold move on anybody’s part. He was a boss of one of the five families at the time, and they had Profaci and Genovese behind them. I don’t know if they knew exactly who all of the other bosses were behind them at the time. [17:12] It’s always a dicey deal. You get caught, and then those bosses that had you do it will give you up. Right. We didn’t know anything about this. We’ve got to kill them. [17:24] But Pete the Greek, he claimed that, you know, he laid it out pretty good. I don’t know. You remember how he laid it out, Cam? Uh, you, uh, go into it. It’s, uh, I got some notes here on that. It’s hard to remember some of this stuff off the top of your head, but so, uh. [17:45] Larry Gallo, according to Pete degree conducted surveillance on admin Anastasia and found that he went to this barbershop with a pattern. You know, you never want to get a pattern when you’re in that life. But he went to this barbershop like every a certain day, every week. And I don’t remember the day, but it was a certain day every week. So after a while, they like, OK, we could get him in the barbershop because it seemed like he relaxed in the barbershop. Even his his bodyguard that was always be with him would drift off while he was in the barbers in the barbers chair. So they tooled up uh the the gallow brothers and and what pete the greek claims is a guy named joseph gianelli and carmine persico uh which will who will turn on the gallows in the end. [18:32] And there was another guy all together and it was it was a classic mob hit and they had uh they came up with a car uh the wheel man waited at the curb with a getaway car another guy stood in the as a look out there on the street and another guy inside of the hotel lobby. And then finally two men and there’s another classic is they dress identically and just wear scarves around their mouths where he wouldn’t really look with sunglasses on. So people wouldn’t really, you know, I wouldn’t think too much about it. And it’s really hard when people, two guys or three guys dress identically in a deal like that, everything, all the details kind of blend in together. That’s a really smart. If you guys want to go out and do a hit or do some kind of a robbery, all of you dress identically because it makes it a lot harder for people to identify. And that’s what they did with Gotti. Yeah. Or those Russian hats. Right. That’s a good point. Barbara will relate that. They came in, just started shooting, just walked in while he’s in a chair, pushed the barber aside, just started shooting. Anastasia lunges out of the chair. They said towards his reflection in the mirror, probably the only thing he could see and and then collapses immediately. And he’ll die on the floor really before the emergency crew arrive. [19:51] And if you they left his body there, because there’s a ton of photographs out there of him on the floor and people standing around. Back in those days, the police didn’t lock down the scene so much as they do today. A good photographer, especially one that was already in with the cops, would have bought them a lunch or a cup of coffee or slipped them a few bucks every time they hit a crime scene. That photographer could get in close and get the money shot, as we say. You know, the hit team, after they murdered him, they just walked out of the lounge, out of the lobby, out into the lobby, disappear. [20:29] Disappear out in the street because they got a car already waiting and they don’t run. They don’t make any extra moves. And I could be willing to bet that they threw those guns away. They drove pretty close to the river, the East River or the Bay or whatever body of water was close and pitched those guns as soon as they got away. Uh now diopolis will claim that uh the gallo brothers

