fxguide: the vfx show

For this episode of the VFXshow we takeoff on Hail Mary and discuss this smash hit film which is based on the popular book.

Matt Wallin, Jason Diamond, and Mike Seymour inhabit Pandora once again for the latest Avatar: Fire and Ash. The team discuss the third epic science fiction Avatar film directed by James Cameron, who co-wrote the...

In this episode of The VFXShow, Matt Wallin, Jason Diamond, and Mike Seymour dive into Guillermo del Toro’s long-awaited passion project: Frankenstein.

In our 300th episode the guys cover how the film threads the needle between Marvel spectacle and period storytelling as well as a whole lot more.

From pocket universes to 2000-frame "one-take" shots, the panel dives deep into the VFX of Superman — faster than a speeding render!

The guys take a journey into the lush, danger-filled world of Jurassic World: Rebirth, the latest installment in the iconic dinosaur franchise.

In this ep, we drop into the slipstream of real-world F1, with Brad Pitt behind the wheel + Lewis Hamilton in the producer’s seat for Apple Studios F1: the Movie

The team race against time to discuss the latest Mission Impossible that can possibly entertain all of mankind.

Mike, Matt, and Jason discuss the vfx, cinematography, stunts, practical effects and more from the latest film from the Marvel Cinematic Universe.

Where dystopian fiction meets real-world tech -- and both get applauded by the Academy -- on this episode of The VFXShow podcast.

With the devastating job losses in our industry, we have a special episode discussing the state of the industry with guest panelist Scott Ross (ex-ILM, ex-DD) who has a new book out.

A discussion of the the 2025 Oscar nominations, plus we a short review of Alien: Romulus.

The fxcrew discuss the VFX and crafting of a Monkey Robbie Wlliams in Better Man.

The crew this week discuss Wicked, Universal Pictures’ dazzling new adaptation of the Broadway hit, directed by Jon M. Chu.

Here, directed by Robert Zemeckis, is a visually groundbreaking film with cutting-edge technology but the panel finds itself deeply divided over the film.