Future Artefacts FM

<p>How can the rhythms of songs incite a crew, family or collective solidarity? </p><p><br></p><p>Rhys Morgan is the 3rd guest of our ‘as a chorus’ mini series, sharing 3 queer sea shanties from the project and choir...

<p>What conditions do we gather in? Can this exist without hierarchy, or even a physical space? </p><p><br></p><p>Most Dismal Swamp joins the second episode of our mini series ‘as a chorus’, sharing audio extracts from...

<p>Can choirs be a form of protest, and what kinds of resistance could they provide in the midst of climate crises?</p><p><br></p><p>Our mini-series, ‘as a chorus’ begins with Niamh Schmidtke’s work, CHANTER...

<p>For episode 29, we listen to the second half of Black Holes Act 1. This 40-minute radio play by Suley, which holds a mirror up to the UK after last year’s race riots. A re-imagining of Derrick Bell’s 1992 novella...

<p>Black Holes Act 1 is a 40-minute radio play by Suley, which holds a mirror up to the UK after last year’s race riots. A re-imagining of Derrick Bell’s 1992 novella ‘Space Traders’, Black Holes is a satirical work of...

<p>What is the next New Weird? How might ‘weirding’ help generate collective virtual or physical spaces to resist cultural binaries, and do these amorphic, slippery forms of language provide tools to resist totalising...

<p>Future Artefacts FM host artist Monya Riachi, as part of their New Weird Mini-series. Her work, Concerning Geographies: Entangled Histories, a speculative letter, addresses cartography across the Levante and the UK...

<p>Part three of our New Weird mini series features Jelena Viskovic’s Motonation. This 9 minute extract shows us two societies, Happy Nation & The Grid, where we follow Čedo as he decides which group to join. This...

<p>For the second part of our New Weird mini series Chris MacInnes shares Impotent Island, an installation that’s been adapted for audio broadcast. In the 11 minute audio we listen to MacInnes’ narration collapse time...

<p>Our latest mini-series on the New Weird begins with the premier of Philip Speakman’s, Reality Break, a 15 minute audio work, which follows the recollections of 4 facebook employee’s Dungeons & Dragons game in the...

<p>Is it possible to decolonise mineral collections? How might our understanding of mineralogy support climate activism or anti-racist methodologies?</p><p> </p><p>For the second part of our double bill with co-founder...

<p>If we could communicate with the minerals around us, what voices would we hear? What would they speak about? And what relationships would rocks and minerals have with one another?</p><p> </p><p>For this special...

<p>Recent EU law now allows citizens to complain if they have been harmed by AI, but what if they have co-conceived your offspring without you even knowing it?</p><p><br></p><p>For Future Artefacts 20th Episode we’re...

<p>What would you do at the end of the world? For the third part of our collaboration with *The Couch, we are thrilled to share David Blandy’s work, The End of The World, a 13 minute audio piece, originating from a...

<p>During this festive season, we invite you to celebrate with the epic adventure mix, A Bell is Tolling, by Jan Berger. This 12 minute mix, composed of RPG* soundtracks, including selections from fantasy epics in late...