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Hosted by Three White Guys · 🇺🇸 US · EN · 89 episodes
Established thought leaders with verified media credentials.
Emerging UK-based screenwriters Tray Epps, Martin F. Wong and Ben Robins chat, debate, moan and celebrate the emotional and financial rollercoaster that is trying to build a career as a working writer in the film and television industry. Alongside a revolving door of (much more successful) guests, they discuss everything from how to approach agents, to which writing competitions are worth applying to and everything inbetween, in a funny, down-to-earth and practical way. Join us on this journey - you are not alone! Hosted on Acast. See acast.com/privacy for more information.
Three White Guys hosts Emerging: How to Eventually Make it in Film & TV, a tv show with 89 episodes published.
When you've always got too much to do, how do you plan your work and projects to make sure you're prioritising what's important? It's one of the ultimate questions every emerging writer faces, especially when you're jugg
A whole bonus 15 minutes with brilliant writer, producer and social media chatterer Karla Williams Posiuniene, as we take her through the last call and get some top tips about keeping your career on the move, even if you
This week's guest will be verrrrry familiar to anyone who regularly finds themselves watching screenwriting content on TikTok - Karla Williams Posiuniene has made a name for herself sharing industry info online, and it's
How're you doing with your scheduling? This week, Ben's moving house and everything's very much up in the air - so we figured we'd take a look back at how we map out our time around all those big work and family and just
If like us, you need more John Jackson in your life, here's a whole extra half an hour with your new favourite working TV writer, as we cover everything from specific advice for emerging writers, to why sports movies are
This week we're going all-in on longevity as we sit down with the exceedingly successful John Jackson, a true journeyman TV writer with credits stretching back 25 years, on everything from Being Human, to Robin Hood, FX'
More great advice from our new favourite agent Jack Gilchrist, as we dive into the Last Call and get very specific about query emails, School of Rock and why more creatives should have grown up on Disney Channel original
After talking about our preferences and the challenges of getting an agent last week (and for a good year prior), today we've actually managed to corner one to answer all of our questions directly - so please welcome the
We've been talking about looking for agents for as long as we've been writing, but with the British industry where it is right now, we've started asking ourselves - do we actually need an agent to progress? The answer is
An episode a long time in the making - today we're (finally) joined by the ridiculously exciting writer, director, Martin collaborator and true Simpsons connoisseur Louis Chan, one of the most name-dropped creatives in E
Have you taken any time off recently? Well, this week we finally are. And rather than leaving you with a big ol' blank nothing where an episode should be, we're digging through the archives (60+ episodes, we have archive
If an hour and a bit wasn't enough Janice for your ears, here's a whole bonus 20 minutes with the brilliant Janice Okoh, as we walk her through the Last Call. Even more laughs, even more candid home truths from one of th
The absolute gold standard of writing guests in today's episode, as we welcome hugely celebrated playwright AND the BAFTA winning creator of BBC's Just Act Normal, Janice Okoh, for a very candid chat about breaking throu
And so we reach the marathon of all screenwriting undertakings - the original, arguably the most fun, but certainly the most complex - the feature film. Why is it so hard? Why does it take forever to make it through Act
TV Pilots are arguably the best bang for your buck as an emerging writer - shorter, lower stakes, highly unlikely to get made anyway, and every competition is positively frothing at the mouth for them. But how does writi
It's one of Martin's favourite bits of advice - go off and make a short. But how do you even begin to start? What makes writing a short film totally different (and arguably, far more flexible) than writing a TV pilot or
Look at this - a whole extra 25 minutes with the supremely talented Hong Kong-born writer-director Calif Chong! We take Calif through the Last Call, learn all about the history of Stephen Chow, the most useful takeaways
I know we always say it whenever we have a guest on, but seriously, get ready for a true MASTERCLASS in today's episode from Calif Chong, a Hong Kong born writer-director who started in-house at HK's legendary TVB, befor
Being original can feel like the most important thing in the world for a writer, but look around - most things aren't anymore. And while we're not saying rip off Hacks, or resign yourself to never having a truly novel id
So many writers suffer from imposter syndrome, especially us Brits, it's hard to feel like you belong in an industry that doesn't feel like it's built for any of us. So we asked our resident American Mr Tray Epps to help
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Emerging: How to Eventually Make it in Film & TV is hosted by Three White Guys. The show is categorised under tv (film) and has published 89 episodes.
Emerging: How to Eventually Make it in Film & TV has published 89 episodes.
Emerging: How to Eventually Make it in Film & TV regularly covers tv, film, education. It sits in the tv category, with a film focus.
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Episodes of Emerging: How to Eventually Make it in Film & TV average 49 minutes. a focused format where a clear narrative arc and tight preparation matter most.
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