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Hosted by CriticalReadings.com · 🇺🇸 US · EN-GB · 335 episodes
Established thought leaders with verified media credentials.
Critical Readings examines key literary texts using close reading and critical analysis, and explains these approaches in discussion. Listeners will learn about the texts themselves and about how to approach a text for critical analysis.
CriticalReadings.com hosts Critical Readings, a arts show with 335 episodes published.
The panel discusses the first five chapters of The Candle in the Wind, the last of the four books in the tetralogy, with a look at White's historical overview of the mediæval period, and a thorough study of his villainou
The panel discusses the closing chapters of The Ill-Made Knight, with attention to the circumstances of Guenever's increasingly frenzied behaviour towards Lancelot, and to his growth as a character—from self-glorifying t
The panel discusses chapters 26–33 of The Ill-Made Knight, examining the violent deaths of Morgause and Lamorak, Arthur's solution to the problem of 'games-mania' in the Round Table, Guenever's festering jealousy, and La
The panel addresses reader questions and discusses chapters 19–25 of The Ill-Made Knight, with an examination of Lancelot's pitiable condition and an investigation into its causes, whether due to internal contradiction,
The panel discusses chapters 9–18 of The Ill-Made Knight, with special attention given to the development of Lancelot's relationships with the wily Elaine and the imperious Guenever, particularly in the savage denouement
The panel discusses chapters 1–8 of The Ill-Made Knight, with special attention given to the characterisation and Freudian psychology of Lancelot, contrasting humility with narcissism, and examining the beginning of his
The panel reads the second half of The Queen of Air and Darkness, giving special consideration to Arthur's vision of the Round Table and total war, the need for Might to support Right against wickedness, the Aristotelian
The panel discusses the first half of The Queen of Air and Darkness (also known as The Witch in the Wood), with particular attention both to the Freudian characterisation of Morgause and her children, and to Merlyn's 'ju
The panel discusses the concluding chapters (20–24) of The Sword in the Stone, with special attention to Arthur's martial inclinations (and what they mean for a broader society), Kay's personal failings (and fundamental
The panel discusses chapters 14–19 of The Sword in the Stone, with special attention to White's romanticised depiction of feudalism and the historical setting of the action, and with a comparison of the pacifistic views
The panel reads chapters 8–13 of The Sword in the Stone, with a focus on the precise nature of Merlin's magic and the 'transformations' experienced by the Wart (but not by Kay), and a detailed examination of the episode
The panel reads the first seven chapters of The Sword in the Stone, with attention given to the modern and medieval aspects of the setting, White's own narratorial voice, the differing metaphors and parallels of characte
The panel reads three poems by Ralph Waldo Emerson—"Uriel", "Ode Inscribed to William H. Channing", and "The Snow Storm"—with special attention to the role of the poet-philosopher's transcendentalist, romanticist, and ab
The panel discusses the concluding act and scene of the play, with special attention to the linguistic wordplay and the Shakespearean critique of players, audiences, and critics alike in the both the play-within-a-play d
The panel discusses the resolution of the love quadrangle, as Puck puts right the enchantments in order to bring Oberon's original plan to fruition, before turning to consider Titania's relationship to her husband in the
The panel discusses the deployment of additional fairy magic, with the transformation of Bottom and the confounding of Helena, and the confusion that results when both Bottom and Helena misbelieve that they are subject o
The panel discusses the second act and the moment in the play when the plans of the characters begin to go astray due to mischance, with special attention to the tension between Titania and Oberon, and the expanding geog
The panel discusses the setting and form of the play, before discussing the first act and its complicated love quadrangle, with attention given to love and the threat of violence, and the characters' creation of overlapp
The panel discusThe panel discusses the end of the second temptation, with Satan's exasperation and the exhaustion of his intellect, followed by his less cunning and crafty final temptation, set high atop the pinnacle of
The panel discusses the continuation of the second temptation in the desert, with Satan's various presentations of worldly power, and the explication that acceptance of any of his 'gifts' is tantamount to acknowledging h
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Critical Readings is hosted by CriticalReadings.com. The show is categorised under arts (education) and has published 335 episodes.
Critical Readings has published 335 episodes.
Critical Readings regularly covers arts, education, society. It sits in the arts category, with a education focus.
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Episodes of Critical Readings average 66 minutes, giving guests a long-form format with plenty of time to expand on their expertise.
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