Creative Figures

Creative Figures is a long-form interview show about how creative people actually live and work. One guest per episode — artists, designers, illustrators, writers, filmmakers, makers of every kind — and no hurry: the practice behind the portfolio, the decisions behind the career, the parts that never make the highlight reel. Between conversations, occasional solo episodes on craft and creative independence. Filmed in full — watch at creativefigures.fm, or listen wherever you get your shows. Hosted by Alen Kapetanovic. Formerly CAPTN OffScript.

Creative Figures is a general podcast hosted by Unknown Host, with 0 episodes on record and a Required Pod Score of 80. PitchCentric scores this show on Booking Probability, Listen Score, and live audience signals refreshed every 24 hours.

Unknown Host hosts Creative Figures, a general show with 0 episodes published.

Our AI reads these to draft pitches. Use them as grounding for a pitch that cites a real guest and a specific topic.

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  Creative Figures

  E96 - Second Take: Andy J. Pizza, "Cultivate Yourself, Don't Overcome Yourself"

  Sep 2, 20266 minS2

  <p>I asked Andy how long it took him to start liking himself the way he is. He did not give me a number. He said it is something he has to constantly return to and refresh.</p><p>This is Second Take, a short format on the show. One idea, one guest, lifted out of a longer conversation. You do not need to have heard the original.</p><p>Around 25, Andy started to realise he probably has ADHD. His first reaction was not relief, it was grief, because this was not something he could hustle his way out of...

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  Creative Figures

  E95 — Second Take: Gemma O'Brien, "What Flow Actually Feels Like"

  Aug 26, 20268 minS2

  <p>Gemma O'Brien describes flow as a forgetting of yourself. Fully absorbed, at one with the work, no sense of time passing.</p><p>Then the conversation turns to boredom, and that half is the sharper one.</p><p>This is Second Take, a short format on the show. One idea, one guest, lifted out of a longer conversation. You do not need to have heard the original.</p><p>Gemma talks about why flow arrives by surprise rather than on demand, the difference between being absorbed and being zoned out, and why filling in a mural outline does not...

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  Creative Figures

  E94 - Second Take: Mat Voyce, "I Hated Motion Design"

  Aug 18, 20267 minS2

  <p>Mat Voyce makes motion work for Nike, Pepsi and Disney+. He also tried animation at university, hated it, and decided he would never do it again.</p><p>This is Second Take, a new short format on the show. One idea, one guest, lifted out of a longer conversation. You do not need to have heard the original.</p><p>Mat got one A across eleven GCSEs. It was graphic design. He dropped out of AS levels because the school would not keep him on for two subjects. He went to art college, did nothing but design for two...

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  Creative Figures

  Bonus 007 - Simon Flöter: His Grandfather's Love Letters & What He'd Make if Money Didn't Matter

  Aug 14, 20264 minS2

  <p>This is the seventh Captn OffScript bonus, and the last one of Season 2. After a main episode spent in the trenches, I asked Simon Flöter one question that flips it all upside down: if you woke up tomorrow with complete financial stability, never worrying about money again, what would you work on?</p><p>It went to newsletter subscribers first as a private YouTube link. Today it's available here too.</p><p>His first answer: he'd finish things. And then he told me about the letters. His father found a bundle his grandfather wrote to his grandmother, from 1930s...

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  Episode #38

  S02/E38 - Simon Flöter on Life in the Trenches & Not Making Decisions From Fear

  Aug 4, 202657 minS2

  <p>For the final episode of Season 2, I didn't want a victory lap. Simon Flöter is a German illustrator, designer and developer living in Amsterdam, and he told me early on: this is not a success story. This is from the trenches.</p><p>His commercial illustration work vanished this year, and he suspects AI swallowed it. Money got extremely tight. He just landed a job that should carry him through the rest of the year. And through all of it, he kept drawing, the way he has since he was a kid tracing Batman comics and getting rejected f...

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