A podcast for the love of cinema.Amsterdam's LAB111 film podcast on the cinema that matters — debates, rankings, and director deep dives, every Thursday. From cult classics to today's most-talked-about releases, Laura Gommans (film journalist), Hugo Emmerzael (film critic), Kiriko Mechanicus (filmmaker) and Tom Ooms (film programmer) take turns asking what films tell us about ourselves, our culture, and the times we live in. Show notes and the CC newsletter at celebratingcinema.com.You can get in touch at celebratingcinema@lab111.nl
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Nobody has ever filmed a real alien, so why do they all look the same? The grey skin, the black almond eyes, sixty years running. This week Laura Gommans is joined by historian Alexander Bartels, who curated LAB111's We
Is Disclosure Day Spielberg's Most Hopeful Film Or His Most Naive?
Jun 11, 202644m
Steven Spielberg spent fifty years teaching us to look up. When the Pentagon released its real alien files, nobody blinked. His new film Disclosure Day marks the day the truth finally lands — this time his aliens look ba
Fast & Furious: How the Franchise Remade Hollywood (w/ Dan Hassler-Forest)
Jun 4, 202658m
The Fast and the Furious (Rob Cohen, 2001) was a small film about Los Angeles street racers, immigrant car culture, and a cop who didn't want to be one. Twenty-five years on it's a seven-billion-dollar franchise where ca
The Backrooms, Explained: Kane Parsons & the A24 Feature
May 28, 202633m
Kane Parsons made the Backrooms on YouTube when he was only sixteen. Over 200 million views later, A24 has handed him his feature debut, making him the studio's youngest director ever at 20. But the yellow walls still do
The Guardian's Peter Bradshaw has been sending dispatches from Cannes since 1999. If you ask him what's changed in 27 years, he claims: nothing. He means it as a compliment. Hugo Emmerzael sits down with the legendary fi
Autobiographical Cinema: Why We Love to Film Ourselves
May 21, 202653m
Long before phones turned every life into footage, a small line of filmmakers was already pointing the camera at themselves — not to perform, but to work out what a life was. This week, producer Elliot Bloom sits down wi
Cinema Obsession: Why Films Grip Us (Vertigo, Peeping Tom)
May 14, 202638m
Cinema's dirtiest little secret is that it's designed to make you want something you can never have. In this episode of Celebrating Cinema, host Laura Gommans and Tom Ooms — LAB111's Head of Cinema — talk about what cine
Amadeus (1984, Miloš Forman) is not really about Mozart. It's a film about the rest of us — the ones who can recognise genius but will never possess it. Salieri is the true protagonist of this musical biopic. His tragedy
The Devil Wears Prada 2: Is Miranda Priestly A Feminist Icon Or A Toxic Boss?
Apr 30, 202638m
Miranda once told Andy she was the greatest disappointment of her career. Twenty years on, the question isn't whether she was right — it's what Andy did with it. Laura Gommans and Elliot Bloom chat about The Devil Wears
Truly Naked: Can a Film Be More Intimate Than Porn?
Apr 23, 202635m
Can a film be more intimate than pornography? Can a film be more intimate than pornography? In Truly Naked (2026), BAFTA-nominated writer-director Muriel D'Ansembourg tells the story of Alec — a teenager raised by two pa
Musical Biopics: Can You Still Make a Good One? (Re-Release)
Apr 16, 202649m
A note from us: we spent the past two weeks going through your survey responses — thank you to everyone who filled it in. Winners will be contacted this week. We're working on what comes next, but we didn't want to leave
What is the worst thing you've ever done? This week, hosts Laura Gommans and Elliot Bloom watched Kristoffer Borgli's The Drama — and neither of them could stop thinking about it. No spoilers, just their honest reaction
Mees Peijnenburg On A Family, Dutch Cinema, And The Emotional Architecture of Divorce
Mar 31, 202631m
Divorce is rarely one story. It's four, or five — each told from a different room in the same house. In his new film A Family , Mees Peijnenburg's puts the camera with the children, and what he finds there is something m
The Skarsgårds' Year: Pillion, Dead Man's Wire & The History of Sound
Mar 27, 202627m
Is this the year of the Skarsgårds? Hosts Laura Gommans and Elliot Bloom kick things off with Pillion , Alexander Skarsgård's domcom about a BDSM relationship that keeps flipping the script on who's actually holding the
Il Conformista: Why Bertolucci's Fascist Aesthetic Still Matters
Mar 19, 202635m
When the White House posts a montage of Hollywood blockbusters cut against US drone strikes on Iran, it raises a question Italian cinema has spent seventy years wrestling with: can cinema ever truly resist power — or doe
David Bowie's Life in Cinema: The Man Who Fell to Screen
Mar 12, 202633m
From the alien drifter of The Man Who Fell to Earth to the unforgettable Goblin King of Labyrinth, David Bowie built one of the strangest and most fascinating film careers in pop history. In this episode, hosts Laura Gom
Frankenstein's Monster: Why Is It Always Ugly? (Shelley to The Bride)
Mar 5, 202643m
Mary Shelley wrote Frankenstein at nineteen. Cinema has been retelling it ever since - and mainly getting it wrong. Hosts Laura Gommans and Tom Ooms dig into the big question: is Frankenstein the story of a misunderstood
Wim Wenders Says Cinema Isn't Political. These Films Disagree.
Feb 27, 202646m
At this year's Berlinale Film Festival, Wim Wenders declared that cinema is not political — so hosts Elliot Bloom and Kiriko Mechanicus, both speaking from their own diasporic experiences, decided to put that to the test
Hugo Emmerzael speaks with DJ and composer Kangding Ray about Sirat — a punishing, bass-driven plunge into the borderlands of rave culture. The film follows a father searching for his missing daughter amid sound systems
Are Marty Supreme and Wuthering Heights Worth The Hype?
Feb 19, 202642m
With social media hype swirling around Marty Supreme and Wuthering Heights , hosts Laura Gommans and Hugo Emmerzael unpack the marketing machinery behind both releases—and whether the films can live up to the discourse t
How do I pitch Celebrating Cinema as a podcast guest?
Celebrating Cinema has a verified contact on file. Create a free PitchCentric account to access it and generate a personalised pitch in seconds. Research at least 3 recent episodes first and lead with a specific angle that serves their tv audience.
Who is the host of Celebrating Cinema?
Celebrating Cinema is hosted by LAB111. The show is categorised under tv (film) and has published 155 episodes.
How many episodes does Celebrating Cinema have?
Celebrating Cinema has published 155 episodes.
What topics does Celebrating Cinema cover?
Celebrating Cinema regularly covers tv, film. It sits in the tv category, with a film focus.
Is it hard to get booked on Celebrating Cinema?
Celebrating Cinema is accessible for guests with genuine tv expertise. A personalised, episode-aware pitch will still outperform a generic one every time.
Is Celebrating Cinema currently accepting guest pitches?
Yes, Celebrating Cinema is actively signalling openness to guest pitches. This is a good window to reach out with a strong, targeted angle.
How long are Celebrating Cinema episodes?
Episodes of Celebrating Cinema average 39 minutes. a focused format where a clear narrative arc and tight preparation matter most.
What guest credentials does Celebrating Cinema typically look for?
Our data rates Celebrating Cinema's guest bar at 80/100 (Premium tier). Established thought leaders with verified media credentials. Sign in to PitchCentric to see how your own Pod Score compares against this show.
Methodology. Booking Probability™ blends Listen Score, 30-day Virality, open-to-guests detection, and Apple ratings. Data refreshed every 60 minutes. Listen Score and Booking Probability are calculated by PitchCentric. Last enriched 5 days ago.