Episode #220
Interpol's Daniel Kessler
Daniel Kessler grew up between London, Paris, and Washington, D.C., listening to his older brother’s early UK rock records. He picked up guitar as a teenager, the same day he quit skateboarding, and after moving to New York in the late ’90s, he set out to find musicians serious enough to start a band. In 1997, that band became Interpol and when their debut Turn on the Bright Lights came out in 2002, it helped define a new wave of New York indie bands, alongside the Strokes and Yeah Yeah Yeahs, and topped Pitchfork’s year-end list. More than two decades later, Kessler remains the musical architect of Interpol, writing the foundation of the band’s songs, often alone on a classical guitar before bringing them to his bandmates. The band has now made eight albums together, and their latest, This Mirror Weighs a Ton , is their first record made in New York in more than a decade. Produced by Andrew Wyatt, it expands Interpol’s familiar sound with more experimental textures—and features Kessler singing for the first time since Turn on the Bright Lights . On today’s episode, Leah Rose talks with Daniel Kessler about making the new album, the early days when Interpol played to almost nobody, a chance encounter with David Bowie before a show at Hammerstein Ballroom, and the creative routines—guitar, coffee, and films—that have kept him writing for nearly three decades. You can hear a playlist of some of our favorite songs from Daniel Kessler & Interpol HERE . See omnystudio.com/listener for privacy information.
