Hosted by Rockhampton Museum of Art · 🇺🇸 US · EN-AU · 83 episodes
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The Rockhampton Museum of Art takes you ‘behind the art’ in their in-depth conversations with artists and art professionals of high acclaim. In these engaging monthly episodes, discover enlivening insights about artists’ practise, community initiatives and the art world itself.
Rockhampton Museum of Art hosts Behind the Art, a arts show with 83 episodes published.
Best known for her evocative self-portraiture and collaborative storytelling through Modor & Dohter, a creative partnership with her daughter, Hoare’s practice explores identity, transformation and the unseen labour of c
Locust Jones is a contemporary, Australian artist. For over 20 years, Locust's practice has woven layers of stories and images that replicate the frenetic pace at which society consumes everyday news and current affairs,
Michelle Hamer & Talitha Kennedy are two contemporary Australian artists. Hamer and Kennedy are part of a group exhibition titled Intimacy, on display at RMOA from 28 March - 5 July 2026.
In 2025 Sally Smart transformed RMOA’s Long Gallery, responding to the monumental yet intimate scale of this space through exploration of the legacies of theatre and visual art.
Shari O'Dwyer is an exhibiting Artist in the Cane exhibition. O'Dwyer's work is: It hangs over my head, it lurks in the shadows 2023, hand knotted sisal twine, private collection. Cane is exhibiting at RMOA from 28 Febru
Right of Reply: a response to 'Cane' exhibition at RMOA 28 February 2026 - 21 June 2026. Joella Warkill, Imelda Miller and Jacob McGuire in conversation with Dr Melinda Mann.
The work of Sandra Selig frequently meditates upon space, withmany of her works charting a course between the installation itself, and thematerials in use, which are often found. Here, Selig’s pieces use space totease ou
My work gives form to personal observations and internalreflections. While walking the streets or tending my garden, I often discoverfragments of broken objects—tools run over, ceramics buried—each once part of apurposef
Eugene Carchesio has made a career of intimacy, explored throughdifferent media, usually through series. These include delicate papersculptures, small studies of leaves or birds, watercolours exploring colour andgeometry
Details of the Dispossessed The obsession with lifelike figures can be traced back toantiquity: the ancient Greeks painted their statues, to solid give solidpresence to what were idealized forms. With occasional exceptio
Intimacy is a sensation that I imbue in all my artworks. It startswith the way I create my artworks then it’s the close attention and empathy Iwant people to feel when they see my works. I lovingly craft my sculptures by
Adams’ work invites an awareness of the way in which perceptionsof how ‘signs’ operate. You might call his artworks ‘meaning composites’.Understanding that emotion and thoughts are complex and abstracted things, andnot a
This body of work explores intimacy as something accumulated infragments, in repetitions, in layered marks and gestures. Working primarilywith coloured pencil, gouache, and fresco-like plaster surfaces, I’m drawn toproce
I am primarily a cartoonist—an abstract expressionist cartoonist.I was educated during the New York School's dominance of the art world, and I incorporated many oftheir styles into my drawings, along with those of Picass
This suite of collage works is comprised of diagrammatic imageryexcised from aged and obsolete textbooks, reference works, and instructionmanuals. Disinterred from their utilitarian points of origin, these images arereco
When I search to find words go accompany this artwork, titled Mending , I would say that it is an ongoing pursuit, one that is hardly ever completed.
There is something intrinsically intimate in the act of looking ata painting - we can zoom in and obsess over a detail, then zoom out and witnessit as part of a greater whole. Each mark, colour and gesture has itsfundame
My installations investigate how we understand the world throughmaterials. I am interested in the ways matter shapes our perception of objectsand our place within broader systems. My practice considers how humanmateriali
Language has the power to both connect and divide us, to facilitate understanding and to obscure it. It can be flippant, funny and deeply personal. There are no Words explores the space between what words mean and how la
In my work, I make small, densely rendered figurative paintingspopulated with elaborate vegetable and mineral configurations. Awkward anderect, the tree forms are resentful of the way they have been rearranged andsingled
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Behind the Art is hosted by Rockhampton Museum of Art. The show is categorised under arts (visual) and has published 83 episodes.
Behind the Art has published 83 episodes.
Behind the Art regularly covers arts, visual. It sits in the arts category, with a visual focus.
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