Mercy Kelly
Jun 27, 202619m
Sometimes an EP can feel like a stopgap between bigger projects, but Summer of Silence isn't one of those records. From the moment it begins, it's clear that Mercy Kelly approached these four songs with something to prov
Hosted by We Write About Music · 🇺🇸 US · EN · 511 episodes
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Directly related to We Write About Music, We Talk About Music is, you guessed it, the audio version of all the incredible artist and interviews we continuously upload to our YouTube channel. For those who prefer a listen as opposed to a view, this podcast is for you.
We Write About Music hosts We Talk About Music, a music show with 511 episodes published.
Sometimes an EP can feel like a stopgap between bigger projects, but Summer of Silence isn't one of those records. From the moment it begins, it's clear that Mercy Kelly approached these four songs with something to prov
Moon and Aries' latest single, “High Noon,” is one of those rare releases that gives off a truly special feeling from its opening moments, transporting you into a sweeping desert panorama where the vibe is seemingly perf
Pop music has always thrived on confrontation and being as real as you possibly can. The best songs don’t simply describe betrayal or disappointment, they transform those emotions into spectacle. “Conman” by Tori Lord un
Some songs feel like they’re solely engineered for earbuds. Others are clearly meant for dashboard speakers, crowded barrooms, summer festival fields, and voices shouting the chorus back at the stage with beer raised ove
Five years is a long time to disappear in modern music. Entire trends rise and collapse in less time than that and audiences are constantly pushed toward the next new thing. But “BACK HOME” by SHANØ doesn’t sound like th
If your only complaint with a song is that it’s too short and that you desperately wanted more, chances are you’re listening to absolute gold. Alejandro Rodriguez has completely blown us away his newest single, “Obvious,
There are songs built for headphones, songs built for clubs, and then there are songs like “Spray Tan” by Disco Shrine, which feel engineered inside a glitter cannon pointed directly at the bloodstream. If you can’t begi
There is a certain kind of confidence that just can’t be manufactured in a studio. It lives in restraint, in groove, in understanding exactly how much energy a song needs and refusing to overcrowd it. Tony Kim taps direc
There’s something disarming about a song that doesn’t try to overwhelm you, no grand gestures or towering crescendos, just a steady emotional current that pulls you under before you even realize it. Orange Animal’s “Plac
After nearly two decades away from the album format that first defined them, The Format have reemerged not as a nostalgia act, but as a fully revitalized creative force. With the release of Boycott Heaven on January 23,
There’s a certain kind of album that doesn’t demand your attention so much as it earns your trust, settling in beside you like an old friend on a long drive. My Own Kind of Normal from Rick Lockwood is exactly that kind
There’s no easing into just another modern day god in a suicide pod. From the first moments, Klep pulls you into a world that feels stark, unfiltered, and bitingly cold, like stepping into a Michigan winter with no coat
On “Invited (to the Party),” Brontë Fall captures a feeling that’s both deeply personal and universally understood; that electric moment when perseverance finally turns into recognition. It’s a song that glows with earne
There’s a particular kind of honesty that feels lived-in rather than performed, and Jesse Bloodgood taps directly into that space on Wishful Thinker. Released on February 6th, 2026, the four-track EP serves as his solo s
On “Gotta Be (Acoustic Version),” Isabella Chiarini strips everything back and somehow makes the emotional impact feel larger, not smaller. It’s a rare kind of reimagining, one that doesn’t exist to simply soften the edg
With “Paradise,” Liam Horne delivers a song that feels less like an escape fantasy and more like a grounded promise, one rooted in presence, consistency, and emotional truth. Not to mention, it is incredibly catchy! The
Truenemy’s latest release arrives like a clenched fist wrapped in sound, delivering a muscular and carefully considered tribute that feels both faithful and fiercely alive. Led by Paul Vuocolo, the metal passion project
J.M. Dee has never been interested in standing still, and “Pretend To Hate” feels like another confident step forward for an artist who treats genre as a suggestion rather than a rule. Based in Naples, Florida after grow
On “Hood Anxiety,” East London rapper Armor steps into the light with a calm intensity that feels earned rather than performed. This is not bravado rap or confessional for shock value. Instead, it’s a measured, deeply hu
With “Colours of Time,” Shyfrin Alliance deliver a song that feels less like a single and more like a slow, thoughtful conversation with the past. Led by Eduard Shyfrin, a UK-based progressive rock visionary whose life s
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We Talk About Music is hosted by We Write About Music. The show is categorised under music (interviews) and has published 511 episodes.
We Talk About Music has published 511 episodes.
We Talk About Music regularly covers music, interviews. It sits in the music category, with a interviews focus.
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