
Obsession (2026) Film Review
Finally, after Longlegs, Sinners, Weapons, the monkey one, an "IT" horror movie that finally lives up to the hype and illustrious predecessors like Hereditary. Writer-directory Curry Barker gives a masterclass debut, exa

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Hosted by thebrownnote · 🇺🇸 US · EN · 853 episodes
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Movie reviews from The Brown Note radio show presented by Julian Brown, recorded unscripted, unedited and live. https://www.mixcloud.com/julian-brown/
thebrownnote hosts The Brown Note Movie Review, a tv show with 853 episodes published.

Finally, after Longlegs, Sinners, Weapons, the monkey one, an "IT" horror movie that finally lives up to the hype and illustrious predecessors like Hereditary. Writer-directory Curry Barker gives a masterclass debut, exa

This unexpectedly brilliant final chapter in the dub reggae icon's story was recorded in 2019, a few years before his death. You didn't realise how much you needed an 80 year old Bob Marley fronting a 1982 post-punk, new

The logical heir to Everything, Everything Everywhere All at Once. Though not as moving, consistent or imaginative, there's still plenty of grist for sci-fi fans and intermittent spells of brilliance.

The Danish titans are one of the best and most consistently great rock acts over the last fifteen years, but their sixth album feels more like a late period Strokes album, with less vitality or potency than previous rele

The most controversial film in the world I tells you! And is legendary gozno-indie film maker, Uwe Boll trolling Elon Musk here? Getting him to promote a film about an evil, sociopathic billionaire landlord? Boll's anti-

The latest from the alt-rock legends may not quite be a good as their excellent (and ignored) previous album but it's still got enough to suggest fuel remains in Isaac Brock's tank - I've upgraded to an 8/10 as it's a gr

Sadly this long awaited comeback album from the Scottish electronic Titans, lacks the imagination, emotion and strangeness of their heyday.

The greatest truism in movies - trailers never lie. However truncated the format, trailers give a great indication as to the quality of the dialogue, acting and overall tone of a film. My fear was the casting, no not THA

The goofily named latest from the James Wan/Jason Blum horror universes is a totally different take on The Mummy story than the Tom Cruise or Brendon Fraser era films. This is a straight horror more in the vein of The Co

Maybe only Tom Cruise himself goes as far in earning a paycheck as an outstanding and, no doubt, severely bruised Chalize Theron does in this near great genre thriller. Think the hunting humans as sport genre via Cliffha

This years break out floppy-nosed, Aztec-Jewsih folk song prog metal cartoon virtuoso duo have taken the world by storm and loopers have never been so happy.

Abba themselves would be proud of the path fellow Swede Robyn has blazed through melancholic-euphoric pop(TM) this century, but this is more an EP than one of her defining albums.

The eighth album from the anointed queen of sad girl indie feels like a half-a$$ed stop gap, with non of the compositional brilliance of Be The Cowboy and even the poise of her voice feels distant.

The legend that is James Cameron, hasn't made a decent film in thirty-years, instead obsessing over the minutiae of the dead-on-arrival universe of Avatar: Smurfs In Space(Balls). At least this punishingly unending third

This fascinating noise-electronic-thrash-avant collective from the UK/France make a fabulous and abrasive second album with a smorgasbord of influences.

The "IT" SciFi of the year so far is made of other film's parts but reverently and is surprisingly epic (and overlong) but thoughtful and intelligent.

James Blake always sounds like he's trying to make the perfect James Blake album, and this is one of his closest efforts.

If you have ever wanted to jump on the beloved troubadour Bill Callahan's train, now is the time. Always great but this time more so in every direction. Already a contender for my album of the year.

After the impossible high of director, Ari Aster's debut, Hereditary, for me the follow-up Midsommar was a complete miss. Since then he's posted two take no prisoners art-house triumphs, Beau is Afraid and this equally w

This much maligned entry into the Chris Pratt is everywhere genre, just about limps over the line to watchable - thanks mostly to its star. Despite an intriguing - if obvious - AI premise it's a better film the more it h
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