Hosted by Ryan Saylor and Annie Murrell · 🇺🇸 US · EN · 51 episodes
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Full filmographies, one week at a time. Each episode Ryan Saylor and Annie Murrell discuss the films of chosen directors by chronologically moving through each filmography every week until the job is done.
Ryan Saylor and Annie Murrell hosts Retrospective Cinema, a tv show with 51 episodes published.
Fellini has often reflected on his career and what it all means, but maybe not before with such sentimentality. Filled with both major and minor references to all that he had done, Intervista seems perfect for our duo as
Annie and Ryan discover yet another hidden gem this week! Ginger and Fred is a late-career meditation on getting older and making art that also happens to be filled to the brim with heart. Hear more inside!
Fellini uses the backdrop of impending war to both discuss class struggle and write a love letter to opera. He also fits a lonely rhinoceros in for good measure. Does it all come together? Annie and Ryan discuss within.
Fellini and Mastroianni reunite! Annie and Ryan discuss how this fits in with their other collaborations, how it stand on its own, and what it all means!
Ryan and Annie continue through the uncharted waters of post-Amarcord Fellini and neither find much to love this week. They break down the good, the bad, and the ugly of this allegory for the cyclical nature of society.
Ryan and Annie trade in the childhood fun of Amarcord for the grandiose and grotesque in discussing Fellini's Casanova. Fellini indulges in theatrical artifice like never before, but does this new artistic territory help
In discussing a particularly fun film, Annie and Ryan spend time in Fellini's childhood and get to experience both the hilarity and tragedy of growing up. It has them reflecting on their own upbringings and laughing alon
After both were pretty burned by "The Clowns," Ryan and Annie return to see something a bit more beloved. But will further docufiction work for them this time? Or will this discussion on the world's continual path forwar
After the bombastic insanity of Satyricon, Fellini partnered with an Italian television network to make a docufiction about his truest passion: clowns. It is inventive, strange, and fascinating (not to mention hard to fi
Annie and Ryan take on a Fellini who has abandoned all sense of autobiography. In this new land with no focus on narrative and late 60's sensibilities, will our podcasters find a new side of the artist to love? Will they
Annie and Ryan dive into what seems to be the first film in a whole new Fellini style: full color, image-focused wonder. The film is dreamy, strange, and perhaps the feminine counterpart to 8½. But can anything be as str
Ryan and Annie take on a cornerstone of cinema this week. It's meta, avant-garde, and often very funny (at least to Ryan's taste). Hear them discuss the importance of context, what it means to love, and more! It's all in
Ryan and Annie dissect the sweet life in an in-depth discussion of Fellini's first three hour picture, La Dolce Vita.
Annie and Ryan have the privilege of leading a discussion on the the beautiful, sad, and hopeful film that ended Fellini's Trilogy of Loneliness. They discuss the brilliant thematic content, incredible lead performance,
This week, Annie and Ryan break down what is perhaps Fellini's most obscure film, Il Bidone, and their conversation takes a few unexpected detours.
Winner of the first Academy Award for foreign language film, as well as the Silver Lion at Venice, La Strada opened to lots of acclaim. It also, however, opened to scorn. Some critics loathed it and it caused a fight at
Ryan and Annie dive into the first agreed-upon classic in Fellini's filmography and get personal along the way as they discuss leaving the hometown and quarter-life crises.
Annie and Ryan tackle the first solo directorial effort from Fellini and find all kinds to talk about. The film is dreamy at times, farcical at others, and all around something worthy of a lengthy discussion. Does it hol
Annie and Ryan begin their biggest project yet! For the next several weeks, they dive into the filmography of a true legend of cinema: Fellini! It all starts here with his co-directed debut feature.
Ryan and Annie finish the filmography of Satoshi Kon with his dreamy final film. As it ends the series, they also do awards, announce the next director, and more.
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Retrospective Cinema is hosted by Ryan Saylor and Annie Murrell. The show is categorised under tv (film) and has published 51 episodes.
Retrospective Cinema has published 51 episodes.
Retrospective Cinema regularly covers tv, film, reviews. It sits in the tv category, with a film focus.
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Retrospective Cinema hasn't explicitly signalled guest openness in recent episodes. That doesn't rule out pitching. your hook just needs to be especially compelling and relevant to their recent content.
Episodes of Retrospective Cinema average 55 minutes. a focused format where a clear narrative arc and tight preparation matter most.
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