Hosted by Loose Leaf Transmissions · 🇺🇸 US · EN · 120 episodes
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Short, sharp, and to the point— micro/Maker brings you a quick dose of creativity and craftsmanship from the composers and artists heard on music/Maker with Tyler Kline . A podcast from Loose Leaf Transmissions: Made for All Ears. Online at looseleaftransmissions.com . Support us on Patreon: https://patreon.com/LooseLeafTransmissions . Hosted on Acast. See acast.com/privacy for more information.
Loose Leaf Transmissions hosts micro/Maker by Loose Leaf Transmissions, a music show with 120 episodes published.
Emma O’Halloran opens up about what drives her to make music—not from an external push to “say something,” but from an internal urge that feels inseparable from who she is. She reflects on creating music that channels em
Show notesSinclaire Marie frames artistic growth as something both practical and deeply personal: a balance between whether an object does what it’s meant to do and whether it communicates what the maker hopes to share. For her, s
Show notesAustin Hammonds shares how a brief connection with composer Jay Flippen sparked the realization that a life in composition was actually possible — even from small-town Kentucky. He and Tyler reflect on what it meant to m
Show notesComposer and performer Hannah Boissonneault reflects on her early creative impulses—playing an out-of-tune family piano and inventing music long before she knew the rules. She talks with Tyler about how those childhood e
Show notesDeadlines once drove Tyler Kline to crank out a new score every month—but three years spent perfecting a single piece reshaped his outlook. In this reflection he unpacks the shift from chasing constant output and externa
Show notesAndrew Noseworthy describes how his engagement with genres outside classical music—prog rock, ambient, hyperpop, and electronic scenes—has shaped his thinking less in sound than in structure, access, and dissemination. H
Show notesAnia Vu talks about her deep connection to musical storytelling — from interpreting the emotional structure of Beethoven to shaping her own sound world through color, timbre, and discovery. She shares how listening to co
Show notesKurt Rohde traces his understanding of what a piece needs in order to exist: not a formal prompt, but a person, a story, an imagined life the music can grow out of. Writing Double Trouble for violist Ellen Ruth Rose was
Show notesDaijana Wallace shares how grad school became a pivotal period of creative self-discovery. She reflects on overcoming uncertainty, experimenting with graphic notation, and how a collaboration with bassist Will Yager push
Show notesBrett Copeland reflects on how graduate school clarified what a sustainable artistic life actually looks like—not as a single role, but as an ecosystem built from composing, performing, teaching, and collaborating. A for
Show notesSugar Vendil quit social media again after reading How to Break Up with Your Phone—the data on time spent and brain impact was horrifying. She briefly checks Instagram when people invite her to collaborate, then deletes
Show notesVanessa Ague shares how her blog The Road to Sound began as a personal outlet and grew into a meaningful platform for artist-centered writing. She discusses how encouragement from mentors like Will Robin helped her claim
Show notesBefore studying composition or even imagining a life in music, James May ’s first creative spark came from an unlikely place: the Boy Scouts. In this conversation, James reflects on early musical memories—from Catholic f
Show notesCharly Daniels talks about synesthesia not as a quirk but as the core engine of how he writes — a way of hearing harmony as color, sensing timbre as light or shadow, and shaping form through visual landscapes that unfold
Show notesShelley Washington shares how her lifelong love of textiles — inspired by her mother's artistry — finds its way into her musical thinking. From modifying vintage fashion to composing pieces like Uniforms , Shelley descri
Show notesSean Hamilton shares how improvisation became central to his artistic voice — and why his compositions now live at the intersection of the fixed and the fluid. In this excerpt, he explains how environmental and emotional
Show notesAnnika Socolofsky's first major new music experience—Yo-Yo Ma and the Silk Road Ensemble performing Golijov, Zhou Long, Lou Harrison in one program—sent a clear message: music making can be radically inclusive. She walke
Show notesComposer Austin Hammonds shares how early exposure to film scores like Jurassic Park quietly shaped his imagination long before he knew what composing even was. He and Tyler reflect on the humbling — and energizing — exp
Show notesCarlynn Crosby and Tyler talk about how food can be a deeply human entry point into topics like class, race, globalization, memory, and empathy. Carlynn shares her journey into food writing—from Ina Garten and Anthony Bo
Show notesCaterina Schembri traces the long arc from her earliest training in Bogotá to the work she’s doing now. She talks about the intensity of her upbringing—full days in school followed by nights at the conservatory—and how h
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micro/Maker by Loose Leaf Transmissions is hosted by Loose Leaf Transmissions. The show is categorised under music (interviews) and has published 120 episodes.
micro/Maker by Loose Leaf Transmissions has published 120 episodes.
micro/Maker by Loose Leaf Transmissions regularly covers music, interviews, arts. It sits in the music category, with a interviews focus.
micro/Maker by Loose Leaf Transmissions is accessible for guests with genuine music expertise. A personalised, episode-aware pitch will still outperform a generic one every time.
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Episodes of micro/Maker by Loose Leaf Transmissions average 8 minutes. a focused format where a clear narrative arc and tight preparation matter most.
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