Loading…
Hosted by Michael The Sound Guy · 🇺🇸 US · EN · 112 episodes
Established thought leaders with verified media credentials.
Each episode of the Location Sound Podcast, we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Michael The Sound Guy hosts Location Sound Podcast, a tv show with 112 episodes published.
Juan Ortiz is a production sound mixer and boom op based out of Philadelphia, Pennsylvania. He uses a Sound Devices 833 mixer/recorder and also likes the Audio Limited/Sound Devices A10 wireless transmitters and receiver
Rob Moore is a production sound mixer and boom op based out of Dublin, Ireland. He uses a Sound Devices 633 mixer/recorder and he likes Lectrosonics wireless transmitters and receivers. On the boom pole, he prefers the S
Mike Fitzgerald is a production sound mixer and boom op based out of Orlando, Florida. He uses a Sound Devices 833 mixer/recorder combined with the Sound Devices SL-2. He also uses two Lectrosonics DSR4 receivers and Lec
Alan Harris is a production sound mixer and boom op based out of Orlando, Florida. He uses a Sound Devices MixPre-10T mixer/recorder. Alan also uses Zaxcom QRX200 wireless receivers and Zaxcom transmitters. He likes the
Doc Justice is CEO and owner of Halter Technical. His company's products are used on-sets all over the world. The Elite Monitor and Scene Monitor headphones are built for creative pros but durable enough for the rigors o
Ryan Monette is a Production Sound Mixer, Post Audio Mixer, Sound Designer and Composer based out of Orlando, Florida. He uses a Sound Devices MixePre 10 II, Sound Devices A10 TXs and RXs, DPA 6060 lavs and a Sanken CS3e
Jessie Van Der Vyver is a Production Sound Mixer based out of Kansas City, Missouri and also London, England. Jessie uses a Sound Devices 888 mixer/recorder. He also uses Sound Devices A20 wireless TXs and RXs including
Rodolfo Piedras, Production Sound Mixer from Vancouver, BC, was originally on the podcast on Episode 28 in 2019. He returns this episode to catch us up on what he's been up to the past few years. Each episode we talk wit
Alex Haralson, production sound mixer based out of Knoxville, Tennessee, joins us again to catch up on new projects and how the strikes and industry shift has affected his work. Alex was originally on episode 92 so check
Greg Murphy is a production sound mixer based out of Melbourne, Florida. He does a lot of work in live news and also projects for Major League Baseball, the NFL, Super Bowl and NASCAR. For news, he uses a Sound Devices 6
Michael Reed, based out of Orlando, Florida, does production sound, post audio mixing and live sound. He's worked on projects like Burt Reynolds: The Last Interview, Screwball(2018) and Movie Money Confidential. Michael
For the 100th episode of the Location Sound Podcast, we've brought back our very first guest, production sound mixer Larry Williams, Jr. Larry uses Sound Devices mixer/recorders and has a 664, a 688, and MixPre-6. He's a
Glenn Sanders founded Zaxcom in 1986 and has been creating innovative audio technology for the feature film, television broadcast, live performance and post-production industries. With a focus on high quality audio produ
Adam Hecht is a production sound mixer and boom op based out of Phoenix, Arizona. He uses a Zaxcom Nova 2 mixer/recorder, Zaxcom 414 receivers, ZMT4, ZMT4x and ZMT3x Zaxcom transmitters, Schoeps MiniCMIT and CMC 141 shot
Paul Isaacs and Gary Trenda from Sound Devices join us to talk about the new A20-RX two channel true diversity receiver and it's new features and the A20-Mini Digital Wireless Transmitter with GainForward and SpectraBand
Ted Hogeman is a Production Sound Mixer and Boom Op based out of the Washington, D.C. area. He has experience on all kinds of shoots, from run and gun documentaries and indie features, to high end short films and commerc
Stephen Harrod is a Production Sound Mixer and Boom Op based out of Los Angeles, California. He uses a Sound Devices 633 mixer/recorder, Lectrosonics wireless and Sennheiser G3s for camera hops. Boom mics are the Sennhei
Anna Khromova is a production sound mixer and boom op based out of New York City. Anna uses a Sound Devices 833 mixer/recorder and a Sound Devices MixPre-6 as a backup and audio interface. For wireless, she uses Lectroso
Brandon Sequeira is a production sound mixer and boom op based out of Los Angeles, California. Brandon uses a Zoom F8 mixer/recorder, Sennheiser MKH-416 shotgun mic, Sennheiser G4 wireless transmitters/receivers, Country
Alex Haralson is a Production Sound Mixer based out of Knoxville, Tennessee. He likes using the Sound Devices 688 mixer/recorder and he also has a MixPre-10 II, Lectrosonics SRc wireless receivers and SMDWB transmitters
Sponsor detection runs nightly. Check back soon.
No public pitch examples yet for this show.
Generate your own personalised pitchBased on semantic analysis of episode topics and host coverage, this show is a strong guest fit for executives in:
Industry fit is computed by PitchCentric using vector embeddings of the show's episode catalog.
Shows with the most semantically similar episode content. Pitch one, pitch all; producers cluster.
Location Sound Podcast has a verified contact on file. Create a free PitchCentric account to access it and generate a personalised pitch in seconds. Research at least 3 recent episodes first and lead with a specific angle that serves their tv audience.
Location Sound Podcast is hosted by Michael The Sound Guy. The show is categorised under tv (film) and has published 112 episodes.
Location Sound Podcast has published 112 episodes.
Location Sound Podcast regularly covers tv, film, history. It sits in the tv category, with a film focus.
Location Sound Podcast is accessible for guests with genuine tv expertise. A personalised, episode-aware pitch will still outperform a generic one every time.
Location Sound Podcast hasn't explicitly signalled guest openness in recent episodes. That doesn't rule out pitching. your hook just needs to be especially compelling and relevant to their recent content.
Episodes of Location Sound Podcast average 41 minutes. a focused format where a clear narrative arc and tight preparation matter most.
Our data rates Location Sound Podcast's guest bar at 80/100 (Premium tier). Established thought leaders with verified media credentials. Sign in to PitchCentric to see how your own Pod Score compares against this show.
Methodology. Booking Probability™ blends Listen Score, 30-day Virality, open-to-guests detection, and Apple ratings. Data refreshed every 60 minutes. Listen Score and Booking Probability are calculated by PitchCentric. Last enriched today.