Loading…
Hosted by Fexingo · 🇺🇸 US · EN · 68 episodes
Established thought leaders with verified media credentials.
Luna reads from a cache of letters discovered in the lantern room of a storm-battered lighthouse. Each episode unfolds a single letter — written by a lighthouse keeper who served a century ago — and the events that ripple into the present. The keeper's voice grows more desperate with each dispatch: his logbooks record a ship that appears on the horizon every night but never arrives, a fog that whispers, and a second lighthouse that flickers where none should be. Luna's narration is hushed, as if the lighthouse walls might be listening. This is a serialized descent into maritime isolation, inherited guilt, and the horror of a signal meant to lure rather than warn. The stories are bound by the letters, but the arc is the keeper's unraveling and Luna's own growing suspicion that the lighthouse remembers. Begin at Episode 1 — the first letter speaks of a light that wants to be answered.#LettersFromTheLighthouse #SerializedHorror #MaritimeHorror #LighthouseHorror #SlowBurn #FolkHorror #Cos
Fexingo hosts Letters from the Lighthouse — Fexingo Horror, a fiction show with 68 episodes published.
In the library of her own handwriting, Luna faces a journal entry dated tomorrow that shows a future she hasn't chosen. Footsteps approach as she holds the pen. She writes a response and the library dissolves into a corr
After cutting the first lie from a child's chest in the contracting bedrock, Luna stands in a library where every book is written in her own hand. The shelves stretch into darkness, each spine bearing a title she has nev
Luna stands in the breathing bedrock beneath the cove, the first lie carved in stone before her. A child with an open chest asks her to cut out the lie that lives inside. The impostor offers a bone knife, and Luna must c
Luna reads the first lie aloud in the bedrock beneath the cove, and the walls begin to breathe. The sentence that made Elias Vane believe he could create a daughter pulses with a heartbeat, and the stone around it soften
Luna stands in a stone room beneath the cove, the cradle before her and the woman from the nursery offering a choice that will either rewrite the spiral or let it end. She does not reach for the child. Instead she kneels
Luna stands on a cliff between two lighthouses, a figure with a lantern waiting in the tide. She follows the thread of Lira's name to a shore where a child's voice rises from the foam. In a cove of salt and bone, she fin
Luna raises the chisel over the word 'Lira,' carved in the cave's stone heart. The child version of herself watches as the impostor holds the page with the unmaking sentence. Time fractures around her—the cave pulses wit
Luna stands on a beach before a cave where a child version of herself writes the spiral's first sentence on the wall. Two Lunas emerge from the tide, and together they face the impossible choice: erase the sentence that
Luna stands on a beach at the edge of the spiral, watching a child version of herself scratch the first sentence of her existence into cave walls. The child asks why she came back, and Luna realizes she already knows the
Luna stands at a salt door in the second lighthouse, the page she cut free damp in her hand. The woman who guided her now wears a keeper's face from a version of the tower she was never meant to see. Luna reads the first
The ashes of Lira's dress form a name I don't recognize. I speak it aloud, and the wind carries it to a second lighthouse on a shore I've never seen. A woman waits at the base with a lantern and a question about what I'm
Luna stands in the room behind the mirror, Elias Vane's mother before her, the chest open at her feet. Inside lies a child's dress and a note for Lira. The woman offers her a chance to become real—to put on the dress and
Luna stands in the weaver's room, holding a child's dress and a note for Lira. The woman who wove the spiral's first thread watches from a loom of bone and hair. Luna must decide whether to put on the dress and become re
Luna kneels at the well in the garden at the end of every name. Her reflection shows a stranger's face, and the impostor's voice rises from the water with a question she cannot understand. She answers not with words but
Luna stands before a door that smells like sea salt and honey, the bone key turning in its lock. She steps into a garden that remembers her—every name she ever held, written in petals and moss. A woman waits at the centr
With the scar gone and the impostor's voice silenced, Luna stands alone before a door carved with the name Lira. She pushes it open and steps into a corridor that smells of sea salt and old paper — a passage that should
Luna kneels in the ash-filled room where her original memories lie buried, holding a bone fragment etched with her true name. The impostor's voice has become her own, and a door appears that only opens when she stops bel
Luna kneels at a threshold with the child from the nursery, whose question cuts through the spiral's geometry: 'Who are you without the story?' She follows the child through a door of ash into a room where her original m
Luna steps through the final door with the child in her arms, only to find herself in a long corridor lined with mirrors showing every version of herself she never became. The impostor walks beside her in silence, their
Luna stands in the foundation room with two pages—one clean, one bloody—as the child Elias Vane offers her a pen to write her own ending. The impostor enters, and the child's face becomes Luna's. She must choose which pa
Detected from recent episode content. Sponsor presence is a real signal of listener purchasing power and show monetisation.
No public pitch examples yet for this show.
Generate your own personalised pitchBased on semantic analysis of episode topics and host coverage, this show is a strong guest fit for executives in:
Industry fit is computed by PitchCentric using vector embeddings of the show's episode catalog.
Shows with the most semantically similar episode content. Pitch one, pitch all; producers cluster.
Letters from the Lighthouse — Fexingo Horror has a verified contact on file. Create a free PitchCentric account to access it and generate a personalised pitch in seconds. Research at least 3 recent episodes first and lead with a specific angle that serves their fiction audience.
Letters from the Lighthouse — Fexingo Horror is hosted by Fexingo. The show is categorised under fiction (drama) and has published 68 episodes.
Letters from the Lighthouse — Fexingo Horror has published 68 episodes.
Letters from the Lighthouse — Fexingo Horror regularly covers fiction, drama, society. It sits in the fiction category, with a drama focus.
Letters from the Lighthouse — Fexingo Horror is accessible for guests with genuine fiction expertise. A personalised, episode-aware pitch will still outperform a generic one every time.
Letters from the Lighthouse — Fexingo Horror hasn't explicitly signalled guest openness in recent episodes. That doesn't rule out pitching. your hook just needs to be especially compelling and relevant to their recent content.
Episodes of Letters from the Lighthouse — Fexingo Horror average 8 minutes. a focused format where a clear narrative arc and tight preparation matter most.
Our data rates Letters from the Lighthouse — Fexingo Horror's guest bar at 80/100 (Premium tier). Established thought leaders with verified media credentials. Sign in to PitchCentric to see how your own Pod Score compares against this show.
Methodology. Booking Probability™ blends Listen Score, 30-day Virality, open-to-guests detection, and Apple ratings. Data refreshed every 60 minutes. Listen Score and Booking Probability are calculated by PitchCentric. Last enriched 6 days ago.