
479 - The End of Oak Street
The End of Oak Street puts Mike in mind of the sort of disposable but likeable films he watched on video as a child, although they didn't tend to cost $85 million to make. Writer-director David Robert Mitchell conspicuou

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Hosted by Jose Arroyo and Michael Glass · 🇺🇸 US · EN · 480 episodes
Established thought leaders with verified media credentials.
"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and we
Jose Arroyo and Michael Glass hosts Eavesdropping at the Movies, a tv show with 480 episodes published.

The End of Oak Street puts Mike in mind of the sort of disposable but likeable films he watched on video as a child, although they didn't tend to cost $85 million to make. Writer-director David Robert Mitchell conspicuou

We've tuned out of Marvel on the podcast for a little while, but one of the eternally entertaining superheroes, Spider-Man, reignites our interest with Brand New Day. With Doctor Strange having cast a spell at the end of

Realising his dream of shooting an entire film on 70mm IMAX stock, Christopher Nolan adapts Homer's ancient Greek poem The Odyssey, a vast mythological epic and one of the foundational works of Western literature. We hav

Steven Spielberg returns to science fiction with Disclosure Day, an ambitious alien thriller that consciously recalls Close Encounters of the Third Kind, still one of his defining films fifty years on. We marvel at its e

Most videogames that receive cinematic adaptations are big - the likes of Uncharted, Minecraft, Sonic the Hedgehog and Resident Evil, all of which have been adapted, some several times, are among the biggest games in his

Seven years ago, we disagreed with the thrust of what Mark Jenkin's Bait had to say about the world as it is and as it ought to be, but appreciated its expressive strength. It was a film with substance. You could grapple

In 2015, Matt Damon found himself stranded on Mars in The Martian, an adaptation of Andy Weir's novel of the same name, and had to improvise unlikely solutions in order to survive and get home. In 2026, Ryan Gosling find

Sirât is all about tone, and the time it takes to establish it. It begins with an array of massive speakers being set up in a desert, and over the next several minutes, we experience an outdoor rave, the music trance-ind

We've previously seen Bacurau, writer-director Kleber Mendonça Filho's last film, which we loved, and find The Secret Agent a similarly fascinating depiction of political corruption and persecution in Brazil, though much

Those to whom Emily Brontë's only novel, Wuthering Heights, is important, have approached Emerald Fennell's adaptation warily. It's a book that a lot of women have grown up on, and the trailers raised questions. Would it

Send Help sees Rachel McAdams marooned on a desert island with her asshole boss in a cartoonishly gory comic adventure the likes of which made director Sam Raimi's name. We discuss how feminist it really is - at the very

Possibly the sweetest and lightest gay BDSM biker film ever made, Pillion opens up conversations on power dynamics, consent and boundaries, and made Mike cry. Everything about it is so assured, particularly Harry Melling

One of Iran's most celebrated filmmakers, Jafar Panahi, has spent the last quarter of a century in conflict with the Iranian government, which objects to his films' criticisms of their actions and the wider social condit

Russell Crowe shines in Nuremberg as Hermann Göring, who became the face of the Nazi Party following Hitler's suicide and the end of the war, as he's held in custody and probed by a psychiatrist as the titular trials app

Jennifer Lawrence gives a career-best performance as a new mother struggling with depression and a rocky relationship in Die My Love, directed by Lynne Ramsay, whose remarkable instinct for tone and atmosphere shouldn't

Yorgos Lanthimos' fourth collaboration with Emma Stone yields a darkly comedic thriller about two conspiracy theorists who kidnap a CEO, determined to reveal the truth that she's an alien from Andromeda. We've all at lea

Another classic Gothic horror is remade for the modern age: first we saw Robert Eggers' Nosferatu, and now Guillermo del Toro brings us his adaptation of Frankenstein. Like Nosferatu, Frankenstein is astonishing to look

Far from an outstanding film, but amazing to look at and too much fun not to recommend, we had a great time in Tron: Ares, which reverses the reality-computer interface that brought humans into the digital world in the p

We're joined by our resident Paul Thomas Anderson expert (and Mike's brother), Stephen Glass, to whom we've previously spoken about Phantom Thread and Licorice Pizza, for another discussion of One Battle After Another. S

Mike isn't impressed with The Rock's attempt to take on a dramatic role in an intimate biopic after decades of popcorn blockbusters, seeing it as Oscar bait. José doesn't share his cynicism and likes the lead performance
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Eavesdropping at the Movies is hosted by Jose Arroyo and Michael Glass. The show is categorised under tv (film) and has published 480 episodes.
Eavesdropping at the Movies has published 480 episodes.
Eavesdropping at the Movies regularly covers tv, film. It sits in the tv category, with a film focus.
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Episodes of Eavesdropping at the Movies average 41 minutes. a focused format where a clear narrative arc and tight preparation matter most.
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