Hosted by Jose Arroyo and Michael Glass · 🇺🇸 US · EN · 477 episodes
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"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and we
Jose Arroyo and Michael Glass hosts Eavesdropping at the Movies, a tv show with 477 episodes published.
Most videogames that receive cinematic adaptations are big - the likes of Uncharted, Minecraft, Sonic the Hedgehog and Resident Evil, all of which have been adapted, some several times, are among the biggest games in his
Seven years ago, we disagreed with the thrust of what Mark Jenkin's Bait had to say about the world as it is and as it ought to be, but appreciated its expressive strength. It was a film with substance. You could grapple
In 2015, Matt Damon found himself stranded on Mars in The Martian, an adaptation of Andy Weir's novel of the same name, and had to improvise unlikely solutions in order to survive and get home. In 2026, Ryan Gosling find
Sirât is all about tone, and the time it takes to establish it. It begins with an array of massive speakers being set up in a desert, and over the next several minutes, we experience an outdoor rave, the music trance-ind
We've previously seen Bacurau, writer-director Kleber Mendonça Filho's last film, which we loved, and find The Secret Agent a similarly fascinating depiction of political corruption and persecution in Brazil, though much
Those to whom Emily Brontë's only novel, Wuthering Heights, is important, have approached Emerald Fennell's adaptation warily. It's a book that a lot of women have grown up on, and the trailers raised questions. Would it
Send Help sees Rachel McAdams marooned on a desert island with her asshole boss in a cartoonishly gory comic adventure the likes of which made director Sam Raimi's name. We discuss how feminist it really is - at the very
Possibly the sweetest and lightest gay BDSM biker film ever made, Pillion opens up conversations on power dynamics, consent and boundaries, and made Mike cry. Everything about it is so assured, particularly Harry Melling
One of Iran's most celebrated filmmakers, Jafar Panahi, has spent the last quarter of a century in conflict with the Iranian government, which objects to his films' criticisms of their actions and the wider social condit
Russell Crowe shines in Nuremberg as Hermann Göring, who became the face of the Nazi Party following Hitler's suicide and the end of the war, as he's held in custody and probed by a psychiatrist as the titular trials app
Jennifer Lawrence gives a career-best performance as a new mother struggling with depression and a rocky relationship in Die My Love, directed by Lynne Ramsay, whose remarkable instinct for tone and atmosphere shouldn't
Yorgos Lanthimos' fourth collaboration with Emma Stone yields a darkly comedic thriller about two conspiracy theorists who kidnap a CEO, determined to reveal the truth that she's an alien from Andromeda. We've all at lea
Another classic Gothic horror is remade for the modern age: first we saw Robert Eggers' Nosferatu, and now Guillermo del Toro brings us his adaptation of Frankenstein. Like Nosferatu, Frankenstein is astonishing to look
Far from an outstanding film, but amazing to look at and too much fun not to recommend, we had a great time in Tron: Ares, which reverses the reality-computer interface that brought humans into the digital world in the p
We're joined by our resident Paul Thomas Anderson expert (and Mike's brother), Stephen Glass, to whom we've previously spoken about Phantom Thread and Licorice Pizza, for another discussion of One Battle After Another. S
Mike isn't impressed with The Rock's attempt to take on a dramatic role in an intimate biopic after decades of popcorn blockbusters, seeing it as Oscar bait. José doesn't share his cynicism and likes the lead performance
A Big Bold Beautiful Journey, directed by former video essayist Kogonada, is beautiful to look at and very likeable, but derivative and ultimately unsatisfying. We discuss its lighting, its attitude towards people's hist
Cheap, simple, high-concept and reasonably graphic, The Long Walk is a throwback to the days of the B-movie. In its dystopian, totalitarian version of the USA, an annual event, the Long Walk, is designed to inspire a wor
By far Paul Thomas Anderson's most expensive film, with a budget some four or five times what he's used to, and probably his most accessible, One Battle After Another entertains us enormously and effortlessly without sac
Commitment is scary. It's especially scary when you drink water from a cursed puddle that wants to make a hybrid of you and your partner. Together tells the story of a couple moving to a new countryside home during a que
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Eavesdropping at the Movies is hosted by Jose Arroyo and Michael Glass. The show is categorised under tv (film) and has published 477 episodes.
Eavesdropping at the Movies has published 477 episodes.
Eavesdropping at the Movies regularly covers tv, film. It sits in the tv category, with a film focus.
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Episodes of Eavesdropping at the Movies average 37 minutes. a focused format where a clear narrative arc and tight preparation matter most.
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