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Hosted by Fexingo · 🇺🇸 US · EN · 75 episodes
Established thought leaders with verified media credentials.
Dispatch is a serialized horror podcast that unfolds in the static-crackle of late-night radio. Luna plays a night-shift broadcaster at WKRK, a low-watt station in the dying town of Sycamore Ridge, where the only callers are the dead. Each episode is a live transmission: a missing persons alert that becomes a confession, a weather report that describes a storm that hasn't arrived, a dedication that summons something from the woods. As the episodes progress, Luna's voice grows thinner, the signal more unstable, and the callers begin to describe the same thing—a figure standing at the edge of the broadcast tower, waiting for her to say its name. This is not a podcast about ghosts. It is a chronicle of a signal that should have been cut, a town that forgot to die, and a woman who keeps reading the news because she does not know how to stop. Start at Episode 1. Listen through the static. Do not hang up.#Dispatch #SerializedHorror #RadioHorror #SycamoreRidge #DeadCallers #NightShift #Broad
Fexingo hosts Dispatch — Fexingo Horror, a fiction show with 75 episodes published.
Luna has found the First Note Archives—a room where the station's original stolen sound is kept on a phonograph. The voice on the record is not her mother's, not the station's; it is a woman Luna does not recognize, spea
Luna's hand hovers over the controls in the 1959 studio, the lullaby looping its final note. The copy of her mother begs her to rewind to the moment before the first note—to undo the station entirely. But as Luna's finge
Luna's fingers are frozen on the tape, her mother's eyes tracking her through the hiss. She does not cut. Instead, she threads the reel backward, and the station's hum reverses into a child's voice—Luna's voice—singing a
Following the nursery where a still baby wore her face, Luna stands before the master record — the station's original tape of her mother's voice. The mirror-child insists the only way to end the station is to destroy the
Luna stands in the nursery, her fingers dissolving as she reaches for the still baby with her face. The mirror-child whispers that she was the first to wake and was never meant to. Luna pulls back her hand and the dissol
Luna stands trapped in a concrete bunker beneath a vacant lot, her hands pressed against glass opposite a child version of herself. The mirrors reflect not just her own face but the face of every girl the station has unm
Still standing in the vacant lot at the address her mother gave, Luna feels the hum through her bones. The ground splits open to reveal a concrete bunker sealed since 1959. Inside, a reel-to-reel plays a conversation bet
Luna remains in the 1950s radio repair shop, staring at the phonograph that played her own voice from 1959. The repairman, who recognizes her from a missing poster, offers to help her find the source of the broadcast. He
Luna's scream dissolves into static as the woman wearing her own face knits a blanket of frequencies. When the static clears, Luna finds herself in a radio repair shop from the 1950s, surrounded by dismantled receivers a
Luna wakes in a white room with a door labeled 'The Final Cut.' Behind it, she finds a broadcast booth identical to the one from Episode 68, but the microphone is live and her mother's voice leaks through the static. A s
Still clutching the blank script from the waiting room, Luna finds herself in a broadcast booth where every cue card bears her mother's handwriting. The station forces her to read aloud a script of her own birth—but the
Luna stands in the basement, holding a static-filled baby bottle as a reversed lullaby plays from 1959. The perfume of her mother grows stronger, and the wall of bottles begins to glow. A door labeled 'The Birth That Nev
Luna descends into a basement that smells like her mother's perfume, following a trapdoor in a childhood bedroom she doesn't recognize. She finds a phonograph playing a lullaby from 1959, a rocking chair that creaks in r
Luna stands in a replica of a childhood bedroom she doesn't recognize, a music box playing a lullaby she's never heard. The memories from the book are overwriting hers — a childhood in a town called Stillwater that doesn
Luna opens the book written in her mother's hand and finds a biography that begins before her birth. The pages describe a childhood in a town that doesn't exist, with a mother who never held her. As she reads, the words
Luna stands in a library of unwritten biographies, holding a transcript from 1960—a conversation between herself and a woman she barely remembers. The child's voice that read the final sentence has fallen silent, but the
Luna lingers in the waiting room where the woman who looks like her mother sits at a typewriter, her hands deformed by decades of rewriting history. The woman types Luna's earliest memory, but the words on the page aren'
Luna escapes the shattered booth and walks into a waiting room where a woman who looks like her mother sits before a typewriter, ready to write a new history. But the woman's hands are wrong — too many knuckles, too few
Luna stands before the door labeled 'The First Silence' after hearing her mother's screams embedded in the 1960 broadcast that stole her. The station demands she take her mother's place or let the loop continue. She open
Trapped in the static, Luna hears her mother's screams embedded in the signal. She follows the sound to a room where a reel-to-reel plays the moment of abduction — a 1960 broadcast that stole a woman from her own life. T
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Dispatch — Fexingo Horror is hosted by Fexingo. The show is categorised under fiction (drama) and has published 75 episodes.
Dispatch — Fexingo Horror has published 75 episodes.
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