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Hosted by Donald Butchko · 🇺🇸 US · EN · 21 episodes
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This project will use a series of playlists to guide you through 100 essential Broadway songs and their iconic musicals. Posts from 100Showtunes.com, read aloud! www.100showtunes.com
Donald Butchko hosts 100 Showtunes: The Podcast, a arts show with 21 episodes published.
Winter 1964. You’re seeing the new smash hit musical Hello, Dolly!. The production skips the overture and opens immediately on a chorus on 1880s New Yorkers instructing the audience to call on the local matchmaker before
Late fall, 1959. Mary Martin is closing out the decade originating a role in a new Rodgers & Hammerstein musical. R&H haven’t really had a hit since The King and I, but you’re hopeful Mary Martin will bring out their bes
Summer 1959. You’re attending Gypsy: a musical fable, based on the memoirs of famed burlesque performer Gypsy Rose Lee. But the show’s driving force is her determined and domineering mother, Rose Havoc, played by Ethel M
Spring 1951. You’re at a performance of The King and I, the latest musical from Rodgers & Hammerstein. It features Gertrude Lawrence, one of the theater’s most dynamic stars, leading a Broadway musical for the first time
You’re now 40 songs into this project, and have learned about influential and iconic shows, songs, and creators. Now we’re going to look at a one of musical theater’s most evergreen tropes: Star Turns Catch up with all t
Before we say “Goodbye Old Girl” to our third playlist, I wanted to name the Notable Creatives that we covered. Add these to the folks introduced in Turning Points and Songs Everybody Should Know, and you’re well on your
Summer 2024. You’re attending a performance of Suffs, a new musical produced by, among others, Hillary Clinton and Malala. You’re expecting a sort of “girl-boss” Hamilton. Suffs is based on American history, stars its co
Spring 2015. You’re at Fun Home, a musical based on Alison’s Bechdel’s memoir of growing up in a funeral home, embracing her queer identity, and confronting her father’s closeted homosexuality and suicide. As grim as tha
Spring 2009. You’re watching the new musical Next to Normal. You had missed its off-Broadway production a year prior, which had gotten a mixed-response, and you’re curious as to why people are more on board with the Broa
Spring 2005. You’re at Dirty Rotten Scoundrels, a new musical based on a Steve Martin movie you’ve been meaning to watch. To be honest, the main reason you’re here is to see Sherie Rene Scott and Norbert Leo Butz reunite
It’s 1998, and you’re one of the lucky few to catch Parade during its short run at Lincoln Center Theater. You’ve heard good things about the score by a talented young composer, Jason Robert Brown, but you’re a bit appre
It’s 1998, and you’re watching Ragtime a lavish and epic musical that takes the scale and scope of the 1980s British mega-musical and filter it through distinctly American voices and material. The expansive narrative foc
It’s 1992, and you’re watching the musical Falsettos. It’s the Broadway premier of two off-Broadway musicals from the 80’s, now presented as a single piece. William Finn wrote its eccentric score and co-wrote the book wi
An introduction to the 100Showtunes. More info at 100Showtunes.com This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.100showtunes.com
Fall 1983. You’re at La Cage Aux Folles, a new musical with a score by Jerry Herman—who wrote some of the biggest hits of the 1960s but hasn’t been so lucky lately—and a book by Harvey Fierstein. Fierstein made his Broad
Late May, 1978. You’re one of the few people on this green earth to see a Broadway performance of Working, a new musical with a book and direction by Stephen Schwartz and a score divvied up by Schwartz and a diverse team
It’s 1966, and you’re nearing the end of Sweet Charity’s first act. The evening thus far has been stylish and sexy, dominated by the unmistakable staging of Bob Fosse and a score by Cy Coleman and Dorothy Fields that mat
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100 Showtunes: The Podcast is hosted by Donald Butchko. The show is categorised under arts (performing) and has published 21 episodes.
100 Showtunes: The Podcast has published 21 episodes.
100 Showtunes: The Podcast regularly covers arts, performing, music. It sits in the arts category, with a performing focus.
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